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Protects and polishes your glass art
100% pure carnauba wax for a deep luster on metal surfaces
12 oz. shake and squirt bottle
Frequently Bought Together
This item: Stained Glass Finishing Compound - 12 oz
100% pure carnauba wax, the hardest wax available, comes in a shake and squirt bottle. Remove tarnish and residue on your solder lines while giving glass, solder and came a deep luster. Protects and adds a professional touch to all stained glass work. The 12 oz. bottle finishes more than 400 sq. ft. This item cannot be shipped air.
Pros : I love this finishing compound. It cleans any remaining gunk...glue, marker lines, whatever....from the glass. Both the glass and your solder lines shine after a good polishing with this compound.
Cons : It removes a little of the patina. Black comes out a pretty gunmetal color. Copper on the other hand really brightens and shines.
Other Thoughts : It's a little hard to get the residue out of small pieces and tight areas. I've found using a dampened Q-tip works wonders. Don't kid yourself, though. The wonderful shine comes from elbow grease as well as the Finishing Compound!
Even More Elegant Lamps to Create. Whimsical designs from the Aanraku Studio are sure to light up any home with beautiful color and design. Includes outdoor scenes, animals, seasonal and floral patterns. Table lanterns are made with flat panels, so the are quick and easy to crate. All shown finished and in color. Images below from book. Insider tip Enlarge patterns by 120% to 130% to have a perfect fit with #7646 triangle wood lamp base (sold separately).
I am planning on making a sidelight window for our house 11 inches x 64 inches. Do I subtract 1/16 inch on all four sides or 1/32 inch on all four sides? Im having some trouble figuring out how to make the pattern fit. Is this measurement the actual size of the opening that the panel will be installed into? If so, subtract 1/16 inch off each edge or basically subtract 1/8 inch from both measurements (10 7/8 inches x 63 7/8 inches). Before you start cutting out the glass for this panel, take a closer look at the opening it will be installed into. Take lots of measurements both horizontally and vertically at the edges and through the middle. It is not uncommon for an opening to have many different measurements; After all, if the original window
The Spring 2015 session of art glass classes at Delphi's Creativity Center in Lansing, MI is all set to start. This season renowned glass artists Cathy Claycomb and Margaret Zinser join Tim Drier and Carol Shelkin to help expand the scope of your glassworking skills. Get to know each artist and their work, then see which class is right for you. Class sizes are limited so register now to ensure your opportunity to work with these amazing artists.
Tim Drier Tim Drier has been a glassblower for 25 years, and applies his scientific glassblowing expertise to artistic flameworking. He concentrates on creating decanters, goblets, vases, and human sculptural forms. Drier has taught flameworking courses at The Studio and the Pittsburgh Glass Center, and has demonstrated at the International Flameworker’s Conference at Salem Community College. Check out Tim's work on his Corning Museum of