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Good for Stained Glass Projects
Good for Mosaic Projects
Easy to Cut
Consistent Pattern and Texture
Spectrum's FireLight virtually defines the concept of "opalescent" with its glimmering translucents and slightly textured surface. A soft shell white, FireLight is more translucent than Spectrum Solid White #S200 and blends well with other colors.
Photo above is a general representation of glass colors. Colors may vary. Sizes are Approximate.
Even More Elegant Lamps to Create. Whimsical designs from the Aanraku Studio are sure to light up any home with beautiful color and design. Includes outdoor scenes, animals, seasonal and floral patterns. Table lanterns are made with flat panels, so the are quick and easy to crate. All shown finished and in color. Images below from book. Insider tip Enlarge patterns by 120% to 130% to have a perfect fit with #7646 triangle wood lamp base (sold separately).
The Spring 2015 session of art glass classes at Delphi's Creativity Center in Lansing, MI is all set to start. This season renowned glass artists Cathy Claycomb and Margaret Zinser join Tim Drier and Carol Shelkin to help expand the scope of your glassworking skills. Get to know each artist and their work, then see which class is right for you. Class sizes are limited so register now to ensure your opportunity to work with these amazing artists.
Tim Drier Tim Drier has been a glassblower for 25 years, and applies his scientific glassblowing expertise to artistic flameworking. He concentrates on creating decanters, goblets, vases, and human sculptural forms. Drier has taught flameworking courses at The Studio and the Pittsburgh Glass Center, and has demonstrated at the International Flameworker’s Conference at Salem Community College. Check out Tim's work on his Corning Museum of
Why did you choose a 96 C.O.E.? The Spectrum line of stained glass products was formulated to the nominal 96 expansion long before we elected to manufacture a Tested Compatible line for kilnforming and other Hot-Glass work. We chose the 96 Expansion because it facilitates the creation of glasses with friendly forming characteristics. The wide variety of glass types we manufacture demands a formulation that has great flexibility. Because many other glassmakers, as well as suppliers of blowing batch, frit, color bars, etc., chose 96 for similar reasons, we decided to build upon this family rather than reformulate our products to the C.O.E. 90 range. Whats the difference in kilnforming at 90 and 96? Really very little. What you learn with one glass will largely apply to the other. System 96 is a lower temperature glass -- that is, it takes less time / heat for S96 products to