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Good for Stained Glass Projects
Easy to Cut
Consistent Pattern and Texture
Spectrum Waterglass is a natural surface texture created by stretching the hot glass sheet while it is still in a pliable state. The result is gentle, rolling waves that resemble the surface of a lake or stream. Ideal for backgrounds, water and sky scenes.
This multi-color streaky features a rich color blend, furthering the artistic dimensional impact of the Waterglass texture.
Photo above is a general representation of glass colors. Colors may vary. Sizes are Approximate.
Even More Elegant Lamps to Create. Whimsical designs from the Aanraku Studio are sure to light up any home with beautiful color and design. Includes outdoor scenes, animals, seasonal and floral patterns. Table lanterns are made with flat panels, so the are quick and easy to crate. All shown finished and in color. Images below from book. Insider tip Enlarge patterns by 120% to 130% to have a perfect fit with #7646 triangle wood lamp base (sold separately).
Id like to start working in lead came. I already have tools for copper foil, what else do I need? To work in lead came there are a few additional tools and supplies that will be needed or helpful. Start with a good basic instruction book or DVD. Try checking out Stained Glass Basics if you prefer a book. Some of it will be review, but it also has a good section on lead came and repairs. Traditional Leaded Glass Windows or Get the Lead Out are two of the many DVDs available at Delphi. Both are informative and walk you through the process of building a lead came panel. Add a few basic tools to your workshop. The first is a pair of lead nippers or a lead knife, which are used to cut the came accurately for a good fit. A lead stretcher such as our Stanton Lead
The Spring 2015 session of art glass classes at Delphi's Creativity Center in Lansing, MI is all set to start. This season renowned glass artists Cathy Claycomb and Margaret Zinser join Tim Drier and Carol Shelkin to help expand the scope of your glassworking skills. Get to know each artist and their work, then see which class is right for you. Class sizes are limited so register now to ensure your opportunity to work with these amazing artists.
Tim Drier Tim Drier has been a glassblower for 25 years, and applies his scientific glassblowing expertise to artistic flameworking. He concentrates on creating decanters, goblets, vases, and human sculptural forms. Drier has taught flameworking courses at The Studio and the Pittsburgh Glass Center, and has demonstrated at the International Flameworker’s Conference at Salem Community College. Check out Tim's work on his Corning Museum of