Delphi Glass is providing this feature as a convenience to our customers who want to save items to their Amazon Wish List. All Wish List items are still ordered through DelphiGlass.com. You must have an Amazon account to use this feature.
Premium Handmade Glass
Rainbow iridescent finish will look stunning in stained glass and fused art
Deep ripple texture adds depth to designs
Strongly textured ripple glass with a shimmering iridescent coating. Perfect for adding dramatic accents to your next stained glass project.
Photo above is a general representation of glass colors. Colors may vary. Sizes are Approximate.
Even More Elegant Lamps to Create. Whimsical designs from the Aanraku Studio are sure to light up any home with beautiful color and design. Includes outdoor scenes, animals, seasonal and floral patterns. Table lanterns are made with flat panels, so the are quick and easy to crate. All shown finished and in color. Images below from book. Insider tip Enlarge patterns by 120% to 130% to have a perfect fit with #7646 triangle wood lamp base (sold separately).
Basic Principles of Solder 1. Solder is a tin/lead alloy with the exception of lead-free solder which is a tin-copper alloy. The 3 basic types of solder used for stained glass are 50/50 50% tin/50% lead - most commonly used in box and lamp assembly 60/40 60% tin/40% lead - most commonly used in lead and copper foil assembly 63/37 63% tin/37% lead - most commonly used for decorative soldering The higher the ratio of tin to lead, the easier to the solder will flow at lower temperatures. 2. Solder will not stick to glass alone, so each piece of glass must be wrapped in copper foil. 3. Solder needs a flux to flow smoothly and bond to other metals (i.e., copper foil or lead came). NOTE Use only solid-core solder. Never use acid or rosin core solder for
The Spring 2015 session of art glass classes at Delphi's Creativity Center in Lansing, MI is all set to start. This season renowned glass artists Cathy Claycomb and Margaret Zinser join Tim Drier and Carol Shelkin to help expand the scope of your glassworking skills. Get to know each artist and their work, then see which class is right for you. Class sizes are limited so register now to ensure your opportunity to work with these amazing artists.
Tim Drier Tim Drier has been a glassblower for 25 years, and applies his scientific glassblowing expertise to artistic flameworking. He concentrates on creating decanters, goblets, vases, and human sculptural forms. Drier has taught flameworking courses at The Studio and the Pittsburgh Glass Center, and has demonstrated at the International Flameworker’s Conference at Salem Community College. Check out Tim's work on his Corning Museum of