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Premium Handmade Glass
Rainbow iridescent finish will look stunning in stained glass and fused art
Deep ripple texture adds depth to designs
Strongly textured ripple glass with a shimmering iridescent coating. Perfect for adding dramatic accents to your next stained glass project.
Photo above is a general representation of glass colors. Colors may vary. Sizes are Approximate.
I am planning on making a sidelight window for our house 11 inches x 64 inches. Do I subtract 1/16 inch on all four sides or 1/32 inch on all four sides? Im having some trouble figuring out how to make the pattern fit. Is this measurement the actual size of the opening that the panel will be installed into? If so, subtract 1/16 inch off each edge or basically subtract 1/8 inch from both measurements (10 7/8 inches x 63 7/8 inches). Before you start cutting out the glass for this panel, take a closer look at the opening it will be installed into. Take lots of measurements both horizontally and vertically at the edges and through the middle. It is not uncommon for an opening to have many different measurements; After all, if the original window
Even More Elegant Lamps to Create. Whimsical designs from the Aanraku Studio are sure to light up any home with beautiful color and design. Includes outdoor scenes, animals, seasonal and floral patterns. Table lanterns are made with flat panels, so the are quick and easy to crate. All shown finished and in color. Images below from book. Insider tip Enlarge patterns by 120% to 130% to have a perfect fit with #7646 triangle wood lamp base (sold separately).
The Spring 2015 session of art glass classes at Delphi's Creativity Center in Lansing, MI is all set to start. This season renowned glass artists Cathy Claycomb and Margaret Zinser join Tim Drier and Carol Shelkin to help expand the scope of your glassworking skills. Get to know each artist and their work, then see which class is right for you. Class sizes are limited so register now to ensure your opportunity to work with these amazing artists.
Tim Drier Tim Drier has been a glassblower for 25 years, and applies his scientific glassblowing expertise to artistic flameworking. He concentrates on creating decanters, goblets, vases, and human sculptural forms. Drier has taught flameworking courses at The Studio and the Pittsburgh Glass Center, and has demonstrated at the International Flameworker’s Conference at Salem Community College. Check out Tim's work on his Corning Museum of