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Premium Handmade Glass
Rainbow iridescent finish will look stunning in stained glass and fused art
Deep ripple texture adds depth to designs
Strongly textured ripple glass with a shimmering iridescent coating. Perfect for adding dramatic accents to your next stained glass project.
Photo above is a general representation of glass colors. Colors may vary. Sizes are Approximate.
We are excited about the Late Summer/Fall 2014 line up of talented glass art experts teaching classes at Delphis Creativity Center in Lansing, MI. Each artist brings their own unique skill set and techniques that any student from beginner to professional artist would enjoy. Get to know each artist and their work, then see which class is right for you. Class sizes are limited so register now to ensure your opportunity to work with these amazing artists. Julie Hann For more than 20 years, Julie Hann has been creating inspired works of glass art. She combines engineering, design concepts and intuitive creativity to express her vision through stained glass, kiln formed art glass and mosaic mediums. Check out Julies work on her Facebook page, JHann Studios.
Even More Elegant Lamps to Create. Whimsical designs from the Aanraku Studio are sure to light up any home with beautiful color and design. Includes outdoor scenes, animals, seasonal and floral patterns. Table lanterns are made with flat panels, so the are quick and easy to crate. All shown finished and in color. Images below from book. Insider tip Enlarge patterns by 120% to 130% to have a perfect fit with #7646 triangle wood lamp base (sold separately).
Why did you choose a 96 C.O.E.? The Spectrum line of stained glass products was formulated to the nominal 96 expansion long before we elected to manufacture a Tested Compatible line for kilnforming and other Hot-Glass work. We chose the 96 Expansion because it facilitates the creation of glasses with friendly forming characteristics. The wide variety of glass types we manufacture demands a formulation that has great flexibility. Because many other glassmakers, as well as suppliers of blowing batch, frit, color bars, etc., chose 96 for similar reasons, we decided to build upon this family rather than reformulate our products to the C.O.E. 90 range. Whats the difference in kilnforming at 90 and 96? Really very little. What you learn with one glass will largely apply to the other. System 96 is a lower temperature glass -- that is, it takes less time / heat for S96 products to