1/4" Silver Lined Foil - 1.0 Mil

$12.95 USD
Buy 3 or more for $10.95 each
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Item# 425682
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Product Features

  • Silver core to match solder color
  • Built-in dispenser keeps roll orderly
  • 1/4" width for thicker and textured glass

Product Description

Studio Pro Silver Lined Copper Foil will attach securely to glass edges and corners to provide a smooth, uniform solder bead. Built-in plastic dispenser keeps rolls orderly. 1/4" wide for foiling thicker and textured glass. Standard 1.0 millimeter thickness. 108 foot rolls.

When To Use:
Silver-lined copper foil has an internal silver core to match solder color. Use with clear, non-opalescent glass and mirror.

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  •   Studio Pro silverback foil
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Pros : Finally, I found a silverbacked copperfoil that sticks. Any I have tried in the past (canfield mainly) is horrible. Recommend highly just on that basis. Try it!!
Cons : A little fragile (can tear sometimes, but can work around the problem.) Also, seems to wrinkle when applied. I use a wallpaper seamroller to burnish and that helps iron out the wrinkles.
Other Thoughts : I say buy just on the basis of good stickiness. I haven't used 1/4 in the past, but think I will go to it. It is only 1/32 of an inch wider than standard 7/32, or half that on each side of the glass. A little more expensive, but really helps to make straighter solder lines. Try 1/4 inch and see how you like it. Because it is thin, Foiling seems to work better when using an actual foiler.
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Sep 20, 2010
Sometimes necessity is the mother of invention, and sometimes invention comes when you have nothing to lose. Early in my career, I had three metal-clay-and-fused-glass pendants fail in a single day. The glass cabochons simply shattered and fell away from the silver after the pieces were fired because I had neglected to cut an expansion hole underneath the cabochons. Augghh. Lesson learned. But now I was left with three ugly pieces of silver, each with small pieces of glass permanently fused into bizarre locations on the surfacea loss I could not afford. Weeks later, after tryingunsuccessfully to remove the glass, I decided to try fusing glass in patterns onto the surface of the pendants. The results were surprising, and the Stained Glass process was born This technique begins with any fired metal clay with a flat surface. Small shards of fusible glass are then attached to the silver. After
May 25, 2012
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