Glassline Pen Mini Assortment

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Glassline Pen Mini Assortment
$89.95 USD
Only 6 left in stock - order soon.
Item# 79420   In Stock
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Product Features

  • Easily add intricate designs to glass!
  • Glassline pens are a lining and shading material for glass
  • Apply between multiple layers of glass or on the top surface for a complex dimensional look
  • Can also be sprayed to achieve subtle shading variations
  • Lead free and food safe. Compatible with both 90 and 96 COE glass
  • Kit contains 6 colors, each 2 oz., plus a tip set (3 tip sizes: bold, medium and fine)
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Product Description

Easily Add Intricate Designs to Glass!
Glassline pens are a lining and shading material for glass. They are easy to use and can be applied between multiple layers of glass or on the top surface for a complex dimensional look. Glassline pens can also be sprayed to achieve subtle shading variations. Compatible with both COE 90 and System 96 glass, lead free and food safe. Kit contains 6 colors, each 2 oz., plus a tip set (3 tip sizes: bold, medium and fine).

Glassline Tip: For best results "tack fuse" individual sheets of glass before stacking your full fuse. Best fired to 1500 F., but may be fired lower or higher depending upon your desired results. For more tips and instructions, click "View User Manual".

Glassline Pens should be stored with the caps firmly in place, and are best stored at room temperature. Pens that have been frozen or have been exposed to high temperatures may require extra mixing to ensure proper consistency.

Delphi Tip: For thinner lines pour a few drops in a bottle with a smaller tip. 

Butterfly project below created with Glassline Pens, using multiple layers of glass. Artist: Jaime Dobson. Vase project created by Kim Lyle. Glassline chalks and pens on fusible paper, fused in glass.

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Product Details

  • Pen Kit Colors:
  • Amethyst
  • Camel
  • Carbon Blue
  • Kelly Green
  • Lavender
  • Teal

Customer Reviews

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4 out of 5 stars
  •   USING GLASSLINE PENS
By on
Pros : I am not sure if I like this product or not. It does allow for tracing of lines and ridges on glass. I have used the black and gold metallic and both have nice finish. Especially, the black isn't coal black but rather has a shiny look.
Cons : N/A See above.
Other Thoughts : Be sure to shake well each time before using. Also, be sure to use the tips provided. For a while, I just cut the extended neck and then spread the paint. It doesn't lend itself to good control that way. If interested, give it a try, it is cheap enough to play with. It cures real well at slow tack fuse.
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5 of 8 people found this review helpful
4 out of 5 stars
  •   "pen" is a misnomer but effects are great
By on
Pros : Good color saturation, and a nice addition to palette of materials for fusing. I made tapa design dishes where I drew designs on top and between layers of glass. On top, it creates a matte accent.
Cons : Difficult to hold & squeeze consistently to create uniform lines, made my hand cramp up when drawing an intricate design.
Other Thoughts : "Paint" would be a more appropriate name than "pen".
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13 of 15 people found this review helpful

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Related Content
Make an Unforgettable and Delicious Gift This Holiday
Nov 27, 2012
Giving an incredible handmade gift can be easy, and doesnt have to take much time from your busy holiday schedule. This season, design a keepsake plate and take advantage of the firing time to whip up some cookies in the kitchen for a special gift that will last beyond the last scrumptious bite. 5 tips for creating quick plates 1. Apply wash to your mold before getting started on your fused design. This will allow plenty of time for multiple coats to dry before it is time to slump. 2. Using two pre-cut circles (available in 90 COE or 96 COE) as the base of your plate makes it the right thickness for a full fuse, so you can focus on adding details instead of cutting glass. 3. Fusible pre-cut shapes (available in 90 COE or 96 COE) and millefiori (available in 90 COE or 96 COE) make creating fast.
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When and how did you get started in stained glass? Ive been interested in stained glass for as long as I can remember. As a child, I would sit in churches and watch the (often) biblical depictions come to life when a stray ray of sunlight cast its illumination our way. Sun shadows dancing. I dabbled in many media over the years, trying to find an outlet for some of the visions careening inside, but none of them took. Drawing, painting - even watercolours - no amount of professional training could guide my hand in a satisfactory way. But then there was the glass. I lived abroad for a few years, and wound my way through Europe on my way back to the States when I finished my Peace Corps Service. My last international destination was Paris, where one of my closest friends lives as an organist. Two beautiful autumn
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