|Stained Glass • Fusing • Mosaics • Jewelry Supplies|
When creating stained glass art, the size and type of foil can be tricky. For newcomers to this type of glass art, many questions arise as to which copper foil is the right one to use. Fortunately, Delphi Glass has some handy tips to help you make the right choice every time. 1. Foil width You might be inclined to select foil that creates skinny lines, however they are not as strong. That’s because you can’t apply as much solder. For most projects, you’ll find 7/32” copper foil will be suitable, however if you vary the width of the foil it will add more depth. If you’re using thicker glass, 1/4" foil will create a seam of normal width. But if you want special effects, take a razor knife and trim the copper foil after you apply it to the glass. Creating distance in your piece can be done
The Table Foiler is a tool that every stained glass artist should have in their arsenal, as it can cut foiling time in half. The Table Foiler removes the paper backing, applies, and crimps the copper foil to stained glass. It can accommodate copper foil in 3/16, 7/32, and 1/4 sizes.
I want to make some copper foil and lead projects for use outside. How do I protect them from the elements? If you construct your project using the lead technique, there isnt anything else you need to do. The cementing process weatherproofs the project. If you use the copper foil technique, you will want to make sure that there is something to prevent the copper foil from pulling away from the outer edges of the project when it gets wet. This can be accomplished by using a rigid metal channel (zinc, copper or brass) or by soldering a reinforcing wire around the perimeter of the piece. Another thing you should consider is using mosaic techniques. Either the direct or indirect methods are great for outdoor projects. Your supplier will have information on these techniques if you are unfamiliar with them. Whatever technique you choose to employ, it is best to
The Glastar Foiling Machine makes foiling easy. Stained glass artists love this tool as it helps them apply copper foil smoothly and evenly. The Glastar foiler can use 3/16, 7/32 or 1/4 copper foil. Note Studio Pro Copper Foil does not fit the mounts for the Glasfoiler. Use Venture Tape Copper Foil with the Glasfoiler to complete your foiling fast.
In my reading I keep seeing mentions of tinning. What is it, and how do I do it? Tinning is the term used to describe the action of putting a thin coat of solder over something else, for instance copper foil, a brass vase cap, or a soldering iron tip. One reason may be to protect the metal from the air, which is usually in reference to a soldering iron tip. The other purpose may be to color the metal underneath, which we’ll address here. You may have seen it suggested that you tin all exposed copper foil on the surface of a panel before running a solder bead. (You will need to apply flux before tinning and again before running the bead.) Some people feel that this allows them to run the final bead more easily because all of the foil edges are already covered. Other people prefer to
Improve your skills and techniques when making stained glass in our 3 day Copper Foils Studio class. Learn from veteran stained glass artist to cut faster and more accurately, foil and solder more flawlessly, Patina and Polish to perfection. Watch our short video to see what you can expect in the Copper Foil Studio class.
Lately, Ive been spending a lot of time in my backyard. My father (a retired horticulture professor and perpetual gardener) has been preparing my quarter-acre lot for a vegetable garden. As soon as I saw this project guide, I could envision stained glass dragonflies peeking out amidst my beans and greens. They are perfect for adding a little sparkle to your summer landscape. DOWNLOAD THE PATTERN HERE Materials Wissmach Sky Blue and Crystal Stream X for Wings, 1/2 Sq. Ft. (or other glass color of choice) Wissmach Dark Blue/Medium Green Opal for Body, 1/3 Sq. Ft. (or other glass color of choice) Flux Solder 7/32 Copper Foil 20-, 22-, and 16-Gauge Copper Wire 2 Small Green Nuggets 1/8 Copper or Brass Rod Black Patina Directions This is one of many of the garden stake designs in Leslie Gibbs book, Garden Art in Glass. There is a lot more information
Full DVD description - Delphis Stained Glass 101 guides you step-by-step through a simple but elegant panel project. Learn the basics of the copper foil method of stained glass, including glass cutting, copper foiling, soldering, finishing and framing. Begin a new craft with confidence, with all the basic instruction you need to successfully complete your first stained glass project. Learn insider tips and techniques from Delphis stained glass expert and long time instructor, Roy Kapp. 70 minutes. http /1a78YQu
Delphis Winter Open House is one of our most popular events of the year. Free to the public, visitors can attend previews of many of our most popular classes - even new classes. Dont miss this exciting chance to meet our fabulous instructors and network with other artists. When Saturday, January 14th 2012, 10am to 4pm 10 00 am - 11 15 am Free Flameworking Previews Glass Bead Making / Beads on Minor / Intensive Bead Workshop / Intro to Boro/Boro Jewelry / Decorative Blown Glass Spheres / Marble Making 11 30 am - 12 30 pm Free Stained Glass Previews Beginning Lead Came / Lead Came Construction / Cutting Art Glass / Soldering Made Easy Bandsaw Magic / Designing & Installing Kitchen Cabinets Beginning Stained Glass / Copper Foil Studio / Tiffany Lamps / Panel Lamps 12 45 pm - 1 15 pm Free Jewelry Previews Beginning Metal Clay
Make accurate repeat cuts up to 45° in either direction on the saws large 13 x 15 adjustable table with protractor scale. A Thumbscrew clamp holds work securely to the fence while cutting and a built-in blade shield keeps fingers safe. The ultra-thin abrasive blade coupled with the 1.1 hp motor produces clean and fast cuts. http /Rg6xjW
We received so many impressive entries into the Light Up Our Blog contest, weve decided to showcase a series of them on the blog. Check back frequently, and you might just find your entry in the spotlight. Jacqueline King has been working as a professional glass artist for four years in Australia and uses Delphi Glass as her major supplier. She has recently been recognized in many publications from the US Best of Worldwide Glass Artists to Australian Art Collector Magazine. Although shes relatively new to glass and still considers herself an emerging artist, she now teaches copper foiling and kiln-forming to other aspiring artists. Images These are three of Jacquelines functional pieces she makes from a wide range of art glass. The bases are made from salvaged timber and some include Australian agate, fossil and semi-precious stones. Visit Jacqueline King on her website.
Delphi instructor Steena Gaut demonstrates how to repair a broken Copper Foil panel using a few simple tools and techniques. Give old stained glass panels new life by repairing them. http //www.delphiglass.com/stained-glass-supplies/copper-foil-supplies/
Kaleidoscopes are a fun tool to use to enjoy optical illusions. With some mirrors, glass and colorful tidbits, you can create your own kaleidoscope that takes you to a world of beautiful images thanks to the items inside of it rotating along with the light coming in from the opposite end. The result is magical and can awe both children and adults. Glass kaleidoscopes are particularly beautiful. They often look impressive on the outside as well. Magic on the inside and out, glass kaleidoscopes are an ideal summer stained glass project. Here’s how to make one of your own. In addition to all your glass cutting tools, you’ll need clear glass colored glass in the colors of your choosing copper foil brass rod solder (to use in your soldering iron) flux mirror kit disc kit faceted beads decorative copper or brass elements for adornments and leg supports patina solution felt
From our Facebook fans, here are a few household items that can be used as tools in art glass creation. Some great ideas here. Hairspray for gluing (the non-aerosol kind, the cheaper, the better. ) Olive oil for your glass cutter The spoony straw from a slush puppie for pouring small amounts of frit Butter knives for bead making Chinese take out containers for storing smaller pieces of fusable glass. They are rectangular and stack well with a clear lid. Also, the soup containers to store frit (each size of frit in its own container stacked within the others of like color and only the top one needs a lid, and they are clear) Glass yogurt pots for storing frit and other bits Plastic containers that tubs of crystal light comes in for storing smaller pieces of glass. I also save the tubs for mixing glue/water, frit and water, paint,
Delphi Glass offers supplies and instruction for a myriad of art glass and other crafts, from the very simplest for the beginner hobbyist all the way to the most complex for the experienced artist, including glass fusing, wire wrapping, metal embossing, etching, carving, jewelry making, copper foil, sandblasting, glass sculpture, glass casting, copper enameling, beading, glass blowing, mosaics, ceramics, and others—a seemingly endless list of creative opportunities. In our Lansing, Michigan facility, Delphi offers a full schedule of classes and events. Utilizing four on-site, fully-equipped classrooms, more than 100 different courses are offered for beginners, intermediate and advanced students. Some classes last just a few hours while others may meet for several days. Classes are taught by popular guest artists or in-house experts. We believe in helping people be creative and making the glass arts enjoyable and rewarding. Delphi Glass fulfills its commitment to the arts by assisting creative projects
When cutting out a pattern, where do you cut? With the proper scissors, is it on the line or left or right of the line? If, by proper scissors, you mean the three-bladed pattern shears, you want to cut by placing the center blade of the shears right on pattern line. The two outside blades will then cut the pattern on either side of the center blade. This removes a small strip of paper between each of the pattern pieces. You need to make sure youre using the right shears for the method of construction youve decided to use. Foil shears allow for two thicknesses of copper foil. Lead shears have a thicker center blade which allows for the heart of lead came. If you are using regular scissors (that dont have the extra blade) you will need to cut twice, once on each side of the line, for your
I may be the only person this happens to, but why does the foil sticky-back goop squish out onto the glass when I solder? Nice description. The sticky-back goop is the adhesive that holds the copper foil to the glass. The reason that it squishes out is because it is melting from getting too hot. This is a common problem for people just learning to solder. It takes practice to lay a nice bead of solder. Beginners usually need to go back over the bead several times to make it neat. In this case, the entire area that you are soldering is getting heated up which may be causing the adhesive to melt. Try letting the area cool down before you fix up the solder bead. If you are lucky enough to lay a perfect bead of solder on the first try (good for you. ), the melting problem may
One of the biggest trends in jewelry for 2011 is layering. Layering necklaces appears chic without looking stuffy. The key to pulling off this look is combining different textures and lengths. Gone are the days of never mixing gold and silver. Dig through your jewelry box for charms, chains and forgotten items, and wear them together for a fresh look. Necklaces in different metal finishes, a string of pearls, and a brightly colored cabochon make an elegant statement on a plain white t-shirt or LBD. In 2008, we saw this layered look emerge on runways the world over, but it was a subtler approach (perhaps pairing a shorter gold chain with a longer one.) Now, anything goes. To keep it from getting tacky, (you dont want to end up looking like your crazy aunt Marge) follow these tips The chains should be of varying lengths and staggered. Try mixing metals
My time is limited and I can only work in 2-4 hour intervals. Are there any preventative steps that I should take to assure that my work will be in good shape when I return? Many hobbyists find themselves in the same position, and this is a very good question. We cant cover every possible scenario, but hopefully we can help. Obviously, there are areas where it wont make any difference if you get interrupted. For instance, pattern prep, glass cutting, fitting, and grinding. However, if you do find that you need to stop in the middle of applying copper foil, youll need to think about how long it will be until you can resume the job. If it will only be a few days, there isnt anything special that youll need to do. But if it will be longer than that (or you live in a particularly humid area),
No two ways about it, getting a good black patina on zinc came can be a problem. But it is not impossible. I sometimes tell my students that the best thing about using zinc on their project, is that it will probably disappear inside their projects wood frame, but that doesnt have to be the case. Follow these few simple steps and youll find that, with a few modifications to standard patina finishing procedure, getting a nice dark finish on zinc isnt such a mystery after all. You wont be able to get a copper sulfate finish on zinc; the chemicals just wont work, but you can get a number of shades from light charcoal to black Step One Metal Prep Zinc fresh out of the case, like any other metal, will immediately begin to oxidize. You may not be able to see any visible signs of oxidation, but believe
My panels always grow, even though I use pattern shears. Should the pieces, once cut and ground, fit in the white part of the pattern leaving the black lines to represent lead or foil? That is exactly where the pieces should fit. But as you have found out, sometimes thats easier said than done. Lets take a look at all the places your pieces can grow 1) Making a copy of your pattern for cutting out pattern pieces. First, determine if the line width on your pattern is appropriate for copper foil or lead. When tracing the pattern, try a few different felt pens until you find one that is the appropriate width for the technique you are using. The wrong width pen may cause the pattern pieces to be either too big, or too small. A good way to determine the appropriate width is to make some test cuts
The Ring of Fire Artist Challenge, lasting from May-June, sparked the interest of artists of varied media all across the country. While Delphi received entries of paper, glass, ceramics, wire, jewelry, etc., it was a select group of 10 products that united them all. Every eligible entry incorporated at least one of 10 unique products making up the Ring of Fire. These products included copper metal mesh, millifiori, clear glaze, dichroic scrap, recycled glass tiles, metallic tiles, color slide, krafty blok, fine silver wire and pressed flowers. Below is a complete list of contest winners. Congratulations to Grand Prize winner of the Jen-Ken Deluxe EZ-Pro Kiln, Kristin Simpson, with her Garden Whimsie entry. Also, congratulations to Lisa Norvell for her Mountain Meadow Surprise entry which will be featured in an upcoming Delphi catalog. Stay tuned for other great contests like this one in the near future. Delphi Awards Delphis
From fusing to stained glass, etching or mosaics, glass bottles are ready to be reused in spectacular art. Find creative ideas below from Delphi customers and artists like you, to get started. Cathedral Glassworks of BC, Canada designed the panel at right featuring a client’s favorite label by cutting a bottle in half and soldering it into a vineyard design. 2010 Online Art Glass Festival winner Pamela Buerger of Fenton,MI designed the panel, left, “Wine Anyone” with a glass bottle cut in half and incorporated into the design with a piece of red glass plated behind it to give the illusion of a bottle that’s always full. The 3-D Dragon sculpture, top left, by artist Steve Landrum of Mountain Home, AR was created from bits of bottles, paired with stained glass to create this fantastic sculpture with unique curved surfaces and contours. Artist Ramona Mauch of Exeter, CA captured
I am often inspired by the glass work of our customers and Facebook fans. They are always thinking outside the box and using Delphi products in new and interesting ways. Recently we asked our fans to send us photos of glass art from their very own back yards. We received so many amazing projects, we decided to share a few here on our blog. Joleen Siebert, of Magic Gardens Stained Glass, created these two beautiful stained glass Koi fish panels (top left and at right). The larger panel is made up of 120 pieces of Spectrum, Kokomo and Bullseye glass. The smaller panel is made up of 40 pieces of Spectrum and scrap glass. It is framed in copper tubing. Both are foil construction. She designed these pieces from a spectrum pattern and adaptations of photos she found online. Mark Hall of Hallmark Glass created a whimsical birdbath (at left)
Over the weekend I attended the 23rd Annual Hyde Park Village Art Fair. The trendy area of Hyde Park, located in Tampa, FL, was the perfect setting for a show of its kind. The brick-paved streets were lined with booths showcasing high end art - everything from life-sized sculptures and paintings, to handcrafted sterling silver jewelry. One of the exhibitors was world-renowned glass artist and Delphi customer Vincent Pernicano. I recognized his work three booths away. There is something so captivating about his approach to mixed media. Pernicano, who has won several awards for his work, including the 2009 Delphi Art Glass Festival Online Competition, uses layers of colored glass that have been cut into shapes and fused together with glass frit and fusible glass paints to create three-dimensional components. The glass components are then backed with wood and attached to a canvas-covered wood-backed panel and frame that has been
Tiffany lamps are a beautiful way to bring a classic touch to any room. They not only light up a room but they also serve as a work of art that can change any space from ordinary to extraordinary. Reflecting more than light, they shine with the expert craftsmanship from the artists who painstakingly hand make each one. In the 1890s, the first Tiffany lamp was created. It was named as such because it was supposed that Louis Comfort Tiffany had been the first designer of this lamp, but it would later be revealed that Clara Driscoll was the original creator of this gorgeous style of lighting. The Tiffany lamp grew in popularity in 1893 thanks to the Worlds Columbian Exposition in Chicago. Tiffany had displayed his lamps there and it became one of the most sought-after items of that time period. The inspiration of course came from
As with many things, we have Japan to thank for metal clay art. It first started there in 1990, allowing crafty jewelry makers to create gorgeous and sophisticated pieces without the involved study required to make jewelry out of precious metals. This crafting medium binds small particles of metal like silver, gold, copper or bronze to make into jewelry, beads, or even small sculptures. It’s easy to shape into any form, just like soft clay. You can shape it by hand or with the use of molds. Once it’s dry, it can be fired by kiln, with a handheld torch, or even on your gas stove, though much of it depends on the type of clay as well as the metal that’s mixed into it. As it’s heated, the binder burns off leaving only the metal behind and revealing your beautiful artistic creation. If you’re looking to explore
One of my favorite memories growing up in Northern Wisconsin was our annual family Thanksgiving Day dinner. With lingering aromas from the kitchen, waiting to see cousins that I hadnt seen for several months, and the anticipation of who breaks the wishbone, the day seemed magical. Each year it seemed we created new family traditions, and our Delphi Family would like to suggest some traditions your family can start 1. For a fun accent piece for the holiday table, try slumping brown or green bottles as a side dish. The size is perfect to serve Aunt Mildreds sweet potato hash or your family favorite. The color will add punch to the table as well. 2. Make it easy to identify whos drink is whos. We like the idea of creating glass beads strung with silver wire and attached to the goblet stem to claim your stake. As a take
Did you know that you can sandwich fabric (or paper) between glass just like you do with pressed flowers? It sure opens up a lot of possibilities for creating one-of-a-kind projects. Heres how 1 Cut two pieces of thin clear glass (ideally, single strength or thinner) to match your pattern piece. Dull the edges of each piece, if necessary, with a fine grinder bit or scythe stone. 2 Carefully clean the surfaces of these pieces that will be on the inside of the sandwich. Once you have sandwiched the fabric inside the glass, you wont be able to clean the glass again. 3 Cut a piece of fabric to match the glass pieces you cut. 4 To create your sandwich, place the fabric on the bottom piece of glass (clean side up). Add the top piece of glass (clean side down). Now hold your sandwich together with a couple of
Bayou Sal Glassworks began in early 2005, as a backyard studio in an unused workshop 17 miles outside of Franklin LA. Owners Paul Weiss Jr. and Russ Peltier had hopes that their glass working skills could occasionally supplement their household income, but didnt have grand expectations since they lived in such a remote rural area. They first made a few windows for friends and family members, and soon people were requesting that they teach classes. They held their first class in the spring of 2006 with three students. As word got around, more students enrolled, and as more custom orders came in, the part-time hobby became their main source of income. In 2008, the studio had to be enlarged to meet their growing needs. As 2010 draws to a close, their work beautifies homes from New York to California, and from Oregon to Florida. They are currently commissioned by
Heres our list of 5 Favorite New Items from the May 2012 edition of Stained Glass News. 1. Hot, Hot, Hot by Christine Stewart Celebrated glass artist Christine Stewart brings us a long-anticipated new title. In her signature mosaic style she serves up 18 projects ranging from fused glass dinnerware to stunning mosaic wall art created with fused inclusions. 2. Inspired by Frankye Cartner and Suzy Huber This stained glass pattern portfolio contains 16 designs for panels in a variety of themes. Each project includes recommendations for using wire, bevels or other accents, and a suggested enlargement size. Projects are certain to provide a fun challenge for beginners and intermediate artists alike. 3. Assembling 3D art just got easier with Handy Wedges These simple non-slip foam rubber blocks offer the perfect solution when you find yourself in need of another set of hands. The triangular shape lends itself to