get started : bullseye pattern

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Fused Glass Frit Art Contest

Fused Glass Frit Art Contest Contest Details Submit any project done in art glass using frit. This is an online contest open to everyone. All skill levels, from beginning crafters to studio artists, are encouraged to participate. Entry must indicate which COE was used to create the piece, 90 or 96. Submission Period September 19, 2012 - October 7, 2012 (11 59 pm EST) Voting Period October 8, 2012 - October 14, 2012 (11 59 pm EST) Winners Announced October 15, 2012 Prizes There will be two prizes given based on the entry with the most votes within each COE, 90 96 as follows 90 COE Prize- 12 medium 5 oz jars of frit in various colors and transparencies and a Bullseye waist apron, a $100 Retail value.Donated by Bullseye Glass Co. 96 COE Prize- Frit Sampler mini kit and an Iridescent Variety Pack, a $100 Retail value.Donated by Uroboros Glass Studios, Inc. Get

Glass Garden Art by our Facebook Fans

Glass Garden Art by our Facebook Fans I am often inspired by the glass work of our customers and Facebook fans. They are always thinking outside the box and using Delphi products in new and interesting ways. Recently we asked our fans to send us photos of glass art from their very own back yards. We received so many amazing projects, we decided to share a few here on our blog. Joleen Siebert, of Magic Gardens Stained Glass, created these two beautiful stained glass Koi fish panels (top left and at right). The larger panel is made up of 120 pieces of Spectrum, Kokomo and Bullseye glass. The smaller panel is made up of 40 pieces of Spectrum and scrap glass. It is framed in copper tubing. Both are foil construction. She designed these pieces from a spectrum pattern and adaptations of photos she found online. Mark Hall of Hallmark Glass created a whimsical birdbath (at left)

Featured Artist: Kerry Collett

Featured Artist: Kerry Collett How and when did you get started in glass art? I saw an article about Kristin Frantzen-Orr along with a step by step example of how to do one of her famous floral beads. I talked about it so much my husband bought me a beginning torch set for the following Christmas. Once I got the kiln and the duel fuel torch, I just kept experimenting and growing from there. Kristin is still my idol and I keep telling myself that one day I will do nice, clean floral beads like hers. Your jewelry, vases, plates etc. are all beautiful. I especially love the geologic nature of your Copper Reactive dish, its so unique. Can you tell us a little about how you achieved that look? The base glass is Bullseye Steel Blue Opal (000146) and it reacts all on its own. I used clear stringers and broke up chunks

Glass Works Stained Glass Studio, NC

Glass Works Stained Glass Studio, NC When Mike Hartwig and Kevin McDaniel opened Glass Works Stained Glass Studio in 1997, they made it their goal to create a place where do-it-yourselfers could feel comfortable. Whether artists came there to buy supplies, ask questions or learn something new, Mike and Kevin wanted to offer it all.Both men had more than 25 years of experience in stained glass work including design, construction, repairs as well as teaching classes and operating a stained glass retail business. They knew what artists needed to be successful. In that same vein, they constantly sought to offer their customers new and exciting products and services to keep them interested. What inspires me most is being of help to our customers, Mike said.Whether it is someone looking for a piece of leaded glass for their home or church or just looking for that certain item to complete their own project. The products we

Fused Stained Glass Pendant

Fused Stained Glass Pendant Sometimes necessity is the mother of invention, and sometimes invention comes when you have nothing to lose. Early in my career, I had three metal-clay-and-fused-glass pendants fail in a single day. The glass cabochons simply shattered and fell away from the silver after the pieces were fired because I had neglected to cut an expansion hole underneath the cabochons. Augghh. Lesson learned. But now I was left with three ugly pieces of silver, each with small pieces of glass permanently fused into bizarre locations on the surfacea loss I could not afford. Weeks later, after tryingunsuccessfully to remove the glass, I decided to try fusing glass in patterns onto the surface of the pendants. The results were surprising, and the Stained Glass process was born This technique begins with any fired metal clay with a flat surface. Small shards of fusible glass are then attached to the silver. After