Bullseye Thinfire Shelf Paper to the Skin's Rescue
As a fused glass jewelry artisan I have probably spent as much time on the look and feel of the backs of my pieces as the fronts. I have found that the feel of the glass on the skin is as much a selling point as the colors or design. Its the same conundrum fiber artists have been dealing with for ages: wool is an amazing fiber - easy to knit with and warm - but the majority of folks just cant stand that itchy feeling on bare skin. The same principle applies to glass. What you use on your kiln shelf can determine exactly how your pieces will feel on the skin - and in turn, can make for a happier customer. After experimenting with various methods including kiln wash (produces a very rough feel) and thicker fiber papers/boards (again, too rough) I have settled down into a very happy marriage with a thin kiln shelf paper. It wasnt such bliss in the beginning, though. Like most artisans, we tend to be cheap (not because we dont want quality, but because we want to stretch every last penny in order to buy more glass). There is nothing more unsatisfying than spending money on the accouterments instead of that glorious piece of glass youve been eyeballing for mont




