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Prairie Lamp Kit

Prairie Lamp Kit 239364_1 thumbnail image 239364_2 thumbnail image 239364_3 thumbnail image 239364_4 thumbnail image 239364_5 thumbnail image 239364_6 thumbnail image 239364_7 thumbnail image 239364_8 thumbnail image 239364_9 thumbnail image PDF Download Prairie Lamp Patterns PDF Download Lamp Template +
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Prairie Lamp Kit
Prairie Lamp Kit by Studio Pro
Price $179.95
Your Savings: - $40.00
Your Price: $139.95 USD   (23% Off)
Item# 42100   In Stock
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Product Features

  • Create a beautiful panel lamp in a single afternoon
  • A gorgeous way to add some light to any room
  • Everything you need in one easy kit - just add glass!
  • Finished lamp measures 25" high
  • Includes assembly instructions
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Product Description

Create with a reproduction prairie style lamp!
Creating a gorgeous, stained glass lamp has never been easier. Our lamp kit contains all of the basics to get you started. Whether you create custom stained glass panels, fused glass panels, glass-on-glass mosaic or simply cut and insert your favorite glass you'll have a lamp you'll enjoy for years to come. Finished lamp measures 25" high.

Shade features space to insert your trapezoid shaped glass approximately 14" wide at base, 3-11/16" wide at top, with diagonal sides approximately 10" long.

Click here to download the free patterns from our Facebook Live.

Second to last lamp created by artist Jeannette Woodard and last project image shown created by artist Michael Durst, from Delphi's Online Artist Gallery.  

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5 out of 5 stars
  •   So glad that this item is back in stock.
By on
Pros :
Cons :
Other Thoughts : I have purchased and made 2 lamps with this kit. The kit is easy to use and the lamps fit beautifully in my Adirondack home.
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1 of 1 people found this review helpful
5 out of 5 stars
  •   lamp
By on
Pros : complete kit
Cons : none
Other Thoughts : i am getting another one
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51 of 85 people found this review helpful
5 out of 5 stars
  •   Great
By on
Pros : I’ve bought two, simple instructions, easily changed. Quick alternative and a good use of glass you can’t bear to cut into small pieces.
Cons :
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58 of 86 people found this review helpful

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Related Content
Featured Artist: Kerry Collett
How and when did you get started in glass art? I saw an article about Kristin Frantzen-Orr along with a step by step example of how to do one of her famous floral beads. I talked about it so much my husband bought me a beginning torch set for the following Christmas. Once I got the kiln and the duel fuel torch, I just kept experimenting and growing from there. Kristin is still my idol and I keep telling myself that one day I will do nice, clean floral beads like hers. Your jewelry, vases, plates etc. are all beautiful. I especially love the geologic nature of your Copper Reactive dish, its so unique. Can you tell us a little about how you achieved that look? The base glass is Bullseye Steel Blue Opal (000146) and it reacts all on its own. I used clear stringers and broke up chunks
The Importance of Packaging
We tell ourselves not to judge a book by its cover, but the simple truth is, we are attracted to whats attractive. On a recent hunt for a birthday present for my mother, I came across several beautiful handbags in several different boutiques. What ultimately influenced my final purchase decision was the complimentary gift-wrapping offered by one of the storeowners. The handbag itself wasnt any prettier or better quality than the others I was considering, but the packaging was beautiful. Brightly colored tissue, a big sturdy box, quality wrapping paper and an oversized hand-tied bow. No, it wasnt sealed with a kiss, rather a large gold embossed sticker with the boutique name and logo (theres nothing wrong with a little discreet self-promotion). Here are a few tips for better packaging-it might just buy you your next customer. 1. Show your customers what theyll get. The boutique I mentioned earlier had
Learning the Hard Way
Delphi merchandiser Kayleigh McGrath recently shared some photos from her early days at Delphi. She was playing around with different colors and textures of glass and learning the hard way that there are limits to what you can do (and cant do) in fusing. The first image shows what happened when Kayleigh layered dichroic glass, coating to coating. The base is 90 COE dichroic rainbow pixi stix on black, (Delphi item 921714) and the top is an old texture we dont carry any more (cyan red radium on clear.) The second image is of a piece Kayleigh loved so much she impatiently removed it from the kiln when it was still too hot (havent we all done this. ) As you can see, it suffered thermal shock. This was made with the same 90 COE pixi stix on black for the base and capped with Delphi item U630090 90 COE
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