Featured Artists

Mary Datwyler is the owner and primary designer of Sunflower Glassworks , Delphi's latest Elite Dealer. She has over 20 years experience in art glass, seven of which has been running her full-service glass shop. Her work has been taken to six continents (anyone headed for Antarctica?) and has been featured in print and cable TV. Recently, staff at Delphi Glass sat down with her to ask the artist a few questions about her work and her inspiration. How did you get involved in art glass? As a child my mother "shopped" religion so I was exposed to many styles of stained glass (and philosophies) in all of the various buildings I was in for religious training. That's where it began. I took my first class nearly 20 years ago and after working in glass for 12 years, I finally was brave enough to sell my first piece to the public. With that successfully in hand, I soon was receiving commission orders. I worked full time at a "real job" and worked my "glass shop" early morning and late into the evening in the garage. When my then home-based commission business outgrew it's garage space, it was time to look for commercial space and open the retail shop to complement my commission wo

When and how did you get started in stained glass? I've been interested in stained glass for as long as I can remember. As a child, I would sit in churches and watch the (often) biblical depictions come to life when a stray ray of sunlight cast its illumination our way. Sun shadows dancing. I dabbled in many media over the years, trying to find an outlet for some of the visions careening inside, but none of them took. Drawing, painting - even watercolours - no amount of professional training could guide my hand in a satisfactory way. But then there was the glass. I lived abroad for a few years, and wound my way through Europe on my way back to the States when I finished my Peace Corps Service. My last international destination was Paris, where one of my closest friends lives as an organist. Two beautiful autumn weeks of divine pastries, lavender light, music, and myriad cathedrals. From the towering behemoth that is Notre Dame to the stone spires of Mont Saint Michel, I spent dizzying hours transfixed in glass. I took photographs of the coloured light cast through the glass and onto stone floors. The vibrancy was impossible to contain and I felt compelled. I needed glass in

It's clear from all of your pieces that you love working with bright colors. Where do you get your love for color? I just love color! Without color, life can be dull. Color helps to create mood, passion, emotion and can bring out the best in people. How would you describe your artistic style? I believe that my style can be categorized as "beachy." I love the beach and surfing, but I also love the woods and nature, so sometimes it's "nature inspired." You have done several beautiful mosaics and stained glass panels, and I also understand you do some fused glass work and bead making. What's your favorite medium and why? I love making mosaics because that's what led me to glass in the first place. I go through spurts though. I'll make a whole bunch of mosaics and then make beads in between. Then I'll switch it up and make a stained glass piece. I guess it's just what I want to do that week or what idea I wake up that day. I read in the Jersey Star Ledger that you're an avid surfer, hunter, runner, biker, rock climber, snow board and overall outdoor rockstar! How do you make time for your art? Balance. And sometimes really really late nights working in the studio!! It

How and when did you get started in glass art? I saw an article about Kristin Frantzen-Orr along with a step by step example of how to do one of her famous floral beads. I talked about it so much my husband bought me a beginning torch set for the following Christmas. Once I got the kiln and the duel fuel torch, I just kept experimenting and growing from there. Kristin is still my idol and I keep telling myself that one day I will do nice, clean floral beads like hers! Your jewelry, vases, plates etc. are all beautiful. I especially love the geologic nature of your Copper Reactive dish, its so unique! Can you tell us a little about how you achieved that look? The base glass is Bullseye Steel Blue Opal (000146) and it reacts all on its own! I used clear stringers and broke up chunks of clear to use along the outside edge. Whatever the clear covers stays blue, and the exposed glass reacts and turns metallic. The firing temperature is the key, don't take it above 1400 F. Bullesye lists several projects with reactions on their website www.bullseyeglass.com http://www.bullseyeglass.com I understand that you teach some classes? What do you teach, and why do you enjoy it?