The Delphi Blog

How did you get started in glass?  I got started in glass by taking a glass class at Delphi in the winter of 2005.   I was hooked!   I just couldn't stop, I was making glass with a friend who had a ceramic kiln when HGTV offered to come film my work in glass.   I had nine weeks to prepare, and I went to Delphi and bought a coffin kiln and glass and went to work, making pieces that made sense for my garden.   Only after the segment aired, and galleries started calling offering representation did I consider glass as a career.   Now I have had 26 gallery shows, three museum showings and three large public garden exhibitions.   I just opened my own gallery. You mentioned in the biography on your website that you have done painting, interior design, set design and floral design. How have these activities influenced your work in glass? My background in painting, interior design, landscape design and floral have all come together in my glass work. Why glass sculpture?   I make sculpture because I need the scale and dimension to express myself.   I often work with other artists to make the metal work

Bayou Sal Glassworks began in early 2005, as a backyard studio in an unused workshop 17 miles outside of Franklin LA. Owners Paul Weiss Jr. and Russ Peltier had hopes that their glass working skills could occasionally supplement their household income, but didnt have grand expectations since they lived in such a remote rural area. They first made a few windows for friends and family members, and soon people were requesting that they teach classes. They held their first class in the spring of 2006 with three students. As word got around, more students enrolled, and as more custom orders came in, the part-time hobby became their main source of income. In 2008, the studio had to be enlarged to meet their growing needs. As 2010 draws to a close, their work beautifies homes from New York to California, and from Oregon to Florida. They are currently commissioned by a church to fill all of its windows with spiritual stained glass panels. They are also planning their second expansion of the studio and have four sets of classes on a weekly schedule. Paul is Bayou Sal Glassworks' lead artist with more than 25 years experience in the stained glass field. Paul is formerly of West Pit

"Nothing says lovin' like something from the oven. Remember that phrase? Holiday 2010 is all about memories, and making special gifts with appreciation for the recipient. And nothing brings back memories at Christmas like the Gingerbread Man (now complete with an entire family). From enjoying the cinnamon aroma while baking, to decorating each one with care and arranging them just so on the plate, these cookies bring love and joy to the baker as well as the cookie eater. Recipes have been passed down from generation to generation, grandparents to great grandchildren, neighbors to neighbors and now even to strangers on Facebook. In 2010, look for the new Gingerbread Man cookie to be wrapped with precision, tradition and preservation. These beautiful golden brown cookies, with hints of red, look great on your table, as a snack or as a centerpiece. When grouped together, it makes a simple, yet elegant Holiday statement, evoking the memory of our first Gingerbread Man cookie. He makes us smile. He makes us laugh. And he makes for wonderful storytelling with our children and our childrens children. Try making a long-lasting Gingerbread Family and share a wonderful tradit

Does using a wider foil on my project make it stronger? Your project may be a little bit stronger with a wider foil since a wider solder line will tend to keep a seam from bending or flexing more than a narrower one. However, its not enough of a difference to be a major consideration in choosing a foil width for your project. The more likely reasons for choosing one foil width over another are: as a design feature. You may want wider or narrower solder lines in certain areas of your project. to account for thicker or thinner glass. Youll need to choose an appropriate width of foil to have your solder line remain a consistent width. If you think strength or structure is a problem, some reinforcing other than just a wider foil is going to be necessary. For minor reinforcing, ask your supplier for a reinforcing strip. These thin metal ribbons come on spools and can be used as an unobtrusive structural reinforcement. They are placed between foiled glass pieces before soldering. Running a bead of solder over the reinforcing strip hides it completely. Reprinted with permission from Stained Glass News. All rights reserved. Image pictur

As a proud Dad of an MSU grad (2008-Son is actually working in his field of study) I have to tell you about what we have developed at the Delphi Glass Studio - pre-cut glass logos and mascots of Michigan State University. They are wonderful and easy to work with. We have had many of our in-house artists create different projects using these pre-cuts. I plan on using five white "S" pre-cuts, five green S pre-cuts and five mid-size Sparty Helmets on a small evergreen tree on our foyer table for the Holidays. This will be a quick and easy way to show our Michigan spirit. (Also, I just found out, to celebrate 8 in a Row we have put all the shapes on sale!) Stock up now, while they're on sale, before the holidays. This is the perfect gift to give any Sparty Fanatic. Check them out on the Delphi website. For those of you asking for other schools, I am working on that now and hopefully soon we'll be announcing several more colleges. Keep watching and reading my blog. GO SPARTANS! Project image created by Delphi Artist Val Oswalt.

Did you know that you can "sandwich" fabric (or paper) between glass just like you do with pressed flowers? It sure opens up a lot of possibilities for creating one-of-a-kind projects! Here's how: 1 Cut two pieces of thin clear glass (ideally, single strength or thinner) to match your pattern piece. Dull the edges of each piece, if necessary, with a fine grinder bit or scythe stone. 2 Carefully clean the surfaces of these pieces that will be on the inside of the sandwich. Once you have sandwiched the fabric inside the glass, you won't be able to clean the glass again. 3 Cut a piece of fabric to match the glass pieces you cut. 4 To create your sandwich, place the fabric on the bottom piece of glass (clean side up). Add the top piece of glass (clean side down). Now hold your sandwich together with a couple of heavy-duty rubber bands. (This is why you dulled the edges of the glass…sharp edges could cut through rubber bands.) 5 Apply a piece of copper foil to both pieces of glass at the same time, removing the rubberbands as necessary. You will likely need wider than average foil, depending how thin your glass is and how thick your fabric (or pa

I may be the only person this happens to, but why does the foil sticky-back goop squish out onto the glass when I solder? Nice description. The sticky-back goop is the adhesive that holds the copper foil to the glass. The reason that it squishes out is because it is melting from getting too hot. This is a common problem for people just learning to solder. It takes practice to lay a nice bead of solder. Beginners usually need to go back over the bead several times to make it neat. In this case, the entire area that you are soldering is getting heated up which may be causing the adhesive to melt. Try letting the area cool down before you fix up the solder bead. If you are lucky enough to lay a perfect bead of solder on the first try (good for you!), the melting problem may be caused by the temperature of your soldering iron. If you are using a rheostat with your iron, turn it down a little bit. If you arent, maybe you should be. Ask your supplier to help you decide on the best approach for your type of iron. If none of this helps, you may want to try moving your iron along a little more quickly when you solder. Reprinted with permission from Stained Glass News. All

Deck the halls with boughs of holly is really more than just lyrics from a popular holiday song. Each year my family and I always try to do something new and creative that will make memories for years to come. When I started my search internationally on whats new for Christmas 2010, I noticed a very obvious trend appearing all over. The round shape of the traditional ornament is very much in vogue. The real difference however is creating unique, one of a kind glass orbs to be enjoyed and admired. This year for Christmas 2010, we have a very special project that your entire family can assist in making. These beautiful GLASKOLBENS will be cherished and admired by friends and family alike. Ideas and suggestions for displaying your Glaskolbens 1. Arrange a variety of colors in your favorite bowl and instantly it becomes a show stopping centerpiece. 2. Nestle clusters of orbs in fresh greens and place in a horizontal line . (Your fireplace mantle is a perfect spot or a wide window sill.) 3. A small tabletop Christmas tree adorned with Glaskolbens and faceted crystals or jewels is a wonderful focal point in your foyer or buffet table. 4. Consider using gift tags

By now, you're probably aware of Delphi's partnership with the Beads of Courage program. For those of you who aren't, here's a quick overview. Beads of Courage brings handmade beads to children receiving treatment for life-threatening illnesses. A bead is awarded by the child's healthcare provider for treatment milestones like blood transfusions, chemotherapy treatments and surgeries to document the child's treatment journey. The success of Beads of Courage is completely reliant on artists and volunteers. Since 2004, more than 500,000 beads have been donated by lampworkers, clay workers, woodworkers and other bead artists, and we want YOU to get in on the action! We're so passionate about this cause, we've pledged to donate 100,000 beads to Beads of Courage, and we need your help. We're asking you to make a few extra glass beads the next time you're in your studio. Send them to Delphi and in return, we'll give you $5 off your next order of $40 or more*. One-hundred percent of the beads donated will be given to Beads of Courage. If you have friends that are bead artists, tell them about our cause and plan a bead making party! Make beads of every color to represent diff

When cutting out a pattern, where do you cut? With the proper scissors, is it on the line or left or right of the line? If, by proper scissors, you mean the three-bladed pattern shears, you want to cut by placing the center blade of the shears right on pattern line. The two outside blades will then cut the pattern on either side of the center blade. This removes a small strip of paper between each of the pattern pieces. You need to make sure youre using the right shears for the method of construction youve decided to use. Foil shears allow for two thicknesses of copper foil. Lead shears have a thicker center blade which allows for the heart of lead came. If you are using regular scissors (that dont have the extra blade) you will need to cut twice, once on each side of the line, for your pattern to be accurate. Reprinted with permission from Stained Glass News. All rights reserved.

Dimensional or 3-D relief in glass art is making a very strong comeback for Fall 2010, and we predict it to be even stronger in 2011. Adding cast pieces will bring excitement and a novelty look to your work. The process is easy. When planning your project, consider elements of the design that could be made with glass castings. Once fired and cleaned, castings can be foiled and soldered into panels, lamps and lanterns, added to mosaics, or fired into fused art. Your finished project will have a sculptural look and will showcase your glass art abilities. The deer trophy stained glass panel by artist Teresa Batten is a wonderful example of 3-D castings. Each pinecone has a rich textured surface and adds realistic interpretation to the finished panel. The unique design not only captures the spirit of the piece but also invites the viewer to examine the work from different angles. 3-D reliefs can be used in contemporary or traditional designs. The stunning lamp by artist Julie Haan combines several different surfaces, which adds beauty and wonder to the piece. The near-real butterflies add interest and cast glowing shadows that ebb and flow throughout the day and evening hours