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20 Gauge Round Fine Silver Wire - 1 Ft

20 Gauge Round Fine Silver Wire - 1 ft 182763_1 thumbnail image 182763_2 thumbnail image 182763_3 thumbnail image 182763_4 thumbnail image
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20 Gauge Round Fine Silver Wire - 1 ft
20 Gauge Round Fine Silver Wire - 1 Ft by Precious Metal Clay
$10.95 USD
Only 11 left in stock - order soon.
Item# 63240   In Stock
  • For wire wrapping, glass soldering, hot glass and metal clay jewelry projects
  • 20 ga thickness, sold by the foot

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Product Description

Buy exactly the amount you need.
A huge convenience and money saver - Delphi sells premium wire by the foot.
Versatile fine silver can be used for wire wrapping, encased in glass beads, fused with glass and fired with Silver Jewelry Clay.

Hand-made jewelry deserves quality wire. Delphi offers professional, jeweler's quality wire to create gorgeous jewelry that you will love to wear, give away, or even sell. When you use the right materials, you will see the quality in your finished pieces.

14 gauge fine silver wire. The lower the gauge number the thicker the wire. Sold in 1 foot lengths to keep your wire tidy and straight.

Delphi Expert Elizabeth Burns created the patriotic jewelry shown by wire wrapping glass charms. Bead project by Lisa St. Marin from "Beads of Glass: The Art and the Artists" book #6530. Wire animals by artist Denise Christmas-Gibson.

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5 out of 5 stars
  •   Create built in rings
By on
Pros : I love to use this wire to create little silver rings built into my pendants. Then I can just add a decorative ring or bail to run a chain through.
Cons : None
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14 of 26 people found this review helpful
5 out of 5 stars
  •   Fine
By on
Pros : Fine silver is good to use in the kiln with my glass and makes jewelery making easy.
Cons : Sometimes I get yellow spots on my work.
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15 of 28 people found this review helpful
5 out of 5 stars
  •   Great Wire for Fusing
By on
Pros : Easy to work with. Stays silver after firing. No black residue. This is the only wire I ever buy and use with my dichroic bracelets.
Cons : Like all Fine Silver wire (which is the only kind that I know of for firing in the kiln), it dulls slightly.
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17 of 29 people found this review helpful

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Related Content
Featured Artist: Kerry Collett
How and when did you get started in glass art? I saw an article about Kristin Frantzen-Orr along with a step by step example of how to do one of her famous floral beads. I talked about it so much my husband bought me a beginning torch set for the following Christmas. Once I got the kiln and the duel fuel torch, I just kept experimenting and growing from there. Kristin is still my idol and I keep telling myself that one day I will do nice, clean floral beads like hers. Your jewelry, vases, plates etc. are all beautiful. I especially love the geologic nature of your Copper Reactive dish, its so unique. Can you tell us a little about how you achieved that look? The base glass is Bullseye Steel Blue Opal (000146) and it reacts all on its own. I used clear stringers and broke up chunks
The Importance of Packaging
We tell ourselves not to judge a book by its cover, but the simple truth is, we are attracted to whats attractive. On a recent hunt for a birthday present for my mother, I came across several beautiful handbags in several different boutiques. What ultimately influenced my final purchase decision was the complimentary gift-wrapping offered by one of the storeowners. The handbag itself wasnt any prettier or better quality than the others I was considering, but the packaging was beautiful. Brightly colored tissue, a big sturdy box, quality wrapping paper and an oversized hand-tied bow. No, it wasnt sealed with a kiss, rather a large gold embossed sticker with the boutique name and logo (theres nothing wrong with a little discreet self-promotion). Here are a few tips for better packaging-it might just buy you your next customer. 1. Show your customers what theyll get. The boutique I mentioned earlier had
Learning the Hard Way
Delphi merchandiser Kayleigh McGrath recently shared some photos from her early days at Delphi. She was playing around with different colors and textures of glass and learning the hard way that there are limits to what you can do (and cant do) in fusing. The first image shows what happened when Kayleigh layered dichroic glass, coating to coating. The base is 90 COE dichroic rainbow pixi stix on black, (Delphi item 921714) and the top is an old texture we dont carry any more (cyan red radium on clear.) The second image is of a piece Kayleigh loved so much she impatiently removed it from the kiln when it was still too hot (havent we all done this. ) As you can see, it suffered thermal shock. This was made with the same 90 COE pixi stix on black for the base and capped with Delphi item U630090 90 COE
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