| Stained Glass • Fusing • Mosaics • Classes |
The Coefficient of Expansion (COE) refers to the rate at which glass expands and contracts when heated and cooled. All glass has a COE but we don't always know what it is. It's important that all of the glass you are fusing together expands and contracts at the same rate or stress and cracking can occur. Glass manufactured specifically for fusing is tested for compatibility. Always fuse glass with the same COE or tested compatible glass.
When heating glass to a full fuse (1450° F) it wants to become ¼" thick and round. A standard sheet of glass is approximately 1/8" thick.
In the picture below, notice how the following stacks of glass appear before and after firing.

In the next picture, notice how each cabochon is approximately the same thickness

Viewing the cabochons from the top you can see how the stacks spread when they were fired.

Keeping the ¼" rule in mind with help you achieve the desired effect without growing or shrinking your project.
Glass cannot be heated or cooled too slowly. Heating and cooling too fast can result in cracked glass or thermal shock. Ideally you want your glass to stay approximately the same temperature as the kiln. Because the glass heats more slowly than the kiln, you should consider your project size and how long it will take the piece to "catch up" to the kiln temperature.
Slow, controlled cooling, commonly referred to as annealing, is the process in which you allow the glass to gradually cool down in order to remove internal stresses that may have occurred during the firing process.
Annealing allows the glass to stabilize and adds strength to your finished project.
If your glass breaks in the kiln, your project didn't turn out quite as expected, or you feel the need to add further embellishments to your project, you can re-fire your project until you get the results you desire. For cracked glass some artists add additional pieces of glass to the top of the glass to reinforce and cover the "seam" where the crack occurred. Do not try to re-fire projects with incompatible COEs. Even if the project survives the heating and cooling process the stress remains and the piece can crack or break later.
Key Temperatures in the Firing ProcessThe firing process you select will determine the final appearance of your fired project. Many projects will require multiple firings using different processes before they are complete |
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The photographs below show glass projects with similar embellishments, fused at various temperatures.
Common Firing SchedulesThe schedule that works for you will depend largely on the size, scope and desired look of your finished piece. The firing schedules below will provide a great place to start.
All Kilns are Not Alike
Project Firing LogsUsing a project and firing log to keep track of information about your projects and firing schedules can be an extremely useful tool for every artist. Once you've achieved a good result you can reference the logs to re-create the project or simply re-use a firing schedule for a similar project. Click on the buttons at the top of the page for a copy of this document and a project firing log to get you started. |
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Hello, Question for the gurus. I want to fire a decal on and at the same time, perform a tack fuse. Can I do this. I have already performed the full fuse on two pieces of Spectrum 96 glass. Now it is time to put the decal on, I have allowed it to dry overnight. I want to tack fuse a pebble onto the same piece.
Jennifer Bonesteel
Friday, December 27, 2013@Lynn D I'm unclear on what you mean by dragging but sharp edges can be caused by sticking so if that's the case wrapping your kiln board may help. There are several products that can be referred to as kiln board and each have a varying lifespan however most can be used more than once. For this project you can use a diamond hand file or grinder to get rid of the sharp edge.
I recently made some pocket vases using 3 layers of kiln board (1/8") and the edge of the top dragged and is pointed and sharp. Any suggestions? I thought of wrapping the kiln board with kiln paper... And how often can you re-use the kiln board? Maybe that's the problem. This particular set was fired once before. Thanks!
@Laceyboo it is absolutely okay to cut down a flat texture mold to fit inside your kiln. Exceptions, of course, where cutting it would make the mold crooked and might cause your glass to run off the edge.
Is it okay to cut down a textured mold to fit a smaller kiln?
I recently purchased the Jen-Ken Pro Fusion Fiber 11. I am trying to cast small items (colour de verre holey heart) on a small piece full fuse program; and also larger items (1/4 inch thick x 6 inches wide) on a large piece full fuse program - both with the kiln floor kiln washed and a thin kiln paper sheet fully underneath. The small casting did not fuse smoothly on the bottom (used kiln washed mold) and the large piece simply did not fuse together. Do I need to by a kiln shelf to cast in this kiln? Any suggestions appreciated as I am really bummed to not be able to use this for simple casting.
I'm wondering if anyone can tell me if I can use granite tiles as a glass dam for fusing. I have granite "samples" that vary in size from about 3" x 4" and 3" x 6". One side is polished. I was thinking that if I lined them with fiber paper and thin fire paper that I could use them as a dam. I don't want to ruin my kiln. I previously used them in my fireplace as a brace for the screen. I'm pretty sure they are dried out. Any ideas or help will be greatly appreciated. Thanks!
@mary p. It is not recommended to use casting molds within the microwave kilns.
Can the small casting molds be used in a microwave kiln?
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