The Delphi Blog

Youve spent the last several days in a flurry of activity getting ready for the show. Reaching, lifting, bending, packing, shoving, sitting for hours during travel, standing in awkward positions while unpacking, setting up your booth, walking back and forth on uneven ground. Perhaps youve even been subjected to extreme temperature changeswind, rain, drafts. In any case, youre finally done. Youve certainly earned a few moments of relaxation, so you reach for a cool (or hot) drink, plop yourself down in a foldout or canvas chair, slump back, stretch out your legs, and survey the efforts of your labors. Now its time to get up and greet a prospective buyer. But you cant move! Pain shoots through your back, your legs and your shoulders. You look and feel like a chick trying to peck its way out of an egg as you struggle to get up and out of your chair. Here is whats going on : Those musculoskeletal problems from your past have just come back to haunt you again in spades. Old, forgotten injuries, some from childhood, have away of returning when you least expect them, especially at times of physical and emotional stress. The cause? Previously injured and weakened muscles a

Ah, the perfect scoreevery glass cutters dream . But is there really such a thing? Lets put it this way: If you run your glass cutter around your pattern, apply pressure to the glass surface and the glass breaks predictablywhats so imperfect about that? Nothing really, but if your su cessful breaks are the product of luck rather than skill, well hope for the best, but expect otherwise. To guarantee a good glass score every time takes nothing more than observing a few non-negotiable facts about how your glass cutter interacts with you and your glass. Step One: Get Comfortable You must be comfortable with your glass cutter. If you havent already, find a glass cutter you like, and most importantly, likes you back. That means finding a glass cutter that isnt uncomfortable to hold. You should be able to cut glass without getting fatigued or feeling any pain. Blisters are sometimes unavoidable, but pain and fatigue will undoubtedly frustrate you. The right, comfortable glass cutter will allow you a long cutting session, during which you can concentrate on technique and not be distracted by discomfort. Step Two: Get In Position Position is everything. The wheel at the end

In my family, the Fourth of July is right up there with Christmas. Family comes in from all over, matching shirts are distributed, lawn chairs are hosed down in preparation for the local parade, and sparklers are lit even before the sun goes down. When "us kids" were younger (we're now all in our 20s), there was always a Fourth of July craft planned to keep us busy. Now that we're older, we've moved beyond the Uncle Sam toilet paper holder puppets, but still look forward to our time together. Here are a few grown-up craft projects for Independence Day to share with your family. If nothing else, I hope these images inspire you to enjoy and appreciate this Fourth of July- happy crafting!

1. Make the glass strips as wide as you'd like your mosaic chunks to be. Strips about 1/2" to 3/4 " usually work well. 2. Snip small pieces off the strip. Aiming your mosaic cutter straight across the strip will produce "squares" and "rectangles." Aiming the cutter at an angle (the same angle each time you cut) will give you "diamonds." A combination of aiming straight across the strip and at alternating angles will produce "triangles." 3. Once you've aimed the cutter, just squeeze the handles until a piece of glass breaks off. Or, you can snip pieces off a larger piece of glass. Cut near the edge and work towards the middle. This will produce random "moon" shaped pieces, which you can use to fill in small areas of background. They also make nice leaves.

I was 22 weeks pregnant and already humongous , if that's not too much information. I boarded the plane hoping that I would have a somewhat comfortable flight from Tampa to Flint. After getting settled, I make a To-Do list for my trip. 1. Try not to knock over anything breakable with enormous belly. 2. Try to keep emotional outbursts to a minimum even if first few lampworking beads are lumpy piles of goo. 3. Remember to wear protective clothing so as not to light body parts on fire. 4. Arrive a novice, leave an expert.

We each have our own unique style of presentation and interaction with our attending students. That being said, I believe that there is a set of principles relating to the teaching process that might be useful to review and clarify so that they are readily available for future reference. Advance Planning You and your students will benefit if you ask them to bring either images or actual samples of their work. You will need to identify the point where each one is in his or her career so that you can work to move them forward from that point. Each will be different, and the more informed you are, the better youll be able to serve their needs. Do this as early in the class as possible, if not before. I also find it helpful to communicate via e-mail prior to starting the class with an encouraging note. Check the class listing in the catalogueit is common for the host to miss something or misstate something. You can give a bit more information in the e-mail. Be sure to mention what it is that you want them to bring to the classsamples of work, images, objects to work from, specific questions, or projects to work on. Decide in advance what the focus of the class is goin

By : Rita Levine Skill Level : 2 (Adult 1-5: 1 being the easiest, 5 being most difficult) Time to Complete : 45 Minutes Materials: Fuseworks Kiln Fuseworks Kiln Paper Fuseworks Glass Cutter Wheeled Glass Nippers Ruler Westrim pearl assortment Sterling Silver Plated Square Cabochon Mini Links - Delphi 85435 2 hat pins Earring wires Scrap fusing glass 90 COE Chain-nose pliers Round-nose pliers Instructions: 1. Place white glass on a clean flat cutting surface with the smooth side of the glass facing towards you. 2. Start on an edge of the glass holding the cutter firmly in one hand. Keep the cutter perpendicular to the glass. Push the cutter gently and evenly across the glass. Decrease pressure slightly as you reach the opposite edge of the glass; lift the cutter off the glass at the end. 3. Breaking the score line can be done with breaking pliers. Hold the glass in one hand, with the score facing up. With the other hand, center the score line in the jaws of the breaking pliers about a half inch onto the glass surface. Apply pressure to the handles; you will hear a “pop” and the score will run, breaking the glas

I love my glass grinder. In fact, I have a couple of them. But I dont grind every piece of glass that I cut. For me, its not necessary. If you can cut accurately, and by accurately I mean no bigger or smaller than your pattern, you may be able to cut down on your projects time by trying out a tool that Ive come to love and rely upon, my grinding stone. A grinding stone, or abrasive stone harks to an earlier day in the history of glass cutting, but still has its value when used in conjunction with good solid, glass scoring and breaking technique. In the pre-grinder days, these stones were de rigueur for the well equipped glazier and to put it simply, they got the job done. Learning to use the stone will take about thirty seconds of training; implementing it can save you hours. Step One: Get Stoned Most stained glass suppliers carry abrasive stones. They are not expensive. Get one, you wont regret it. Step Two: Use It An abrasive stone cannot shape your glass pieces the way a glass grinder can, but it can get rid of those nasty little edges on your freshly cut pieces of glass. Instead of taking your glass to the grinder to clean your edges, just run the surface

Every summer around the Fourth of July, I can't help but get nostalgic about all things Americana- apple pie, front porch swings, popsicles, and cuddling up in one of grandma's quilts after a long day in the sun. There's something so comforting about the colors and smells of the summer season. When I first saw this pattern, it brought back even more red, white and blue memories, and I thought it was worth sharing. Here's the patriotic pattern courtesy of our creativity partners at Glass Patterns Quarterly. Enjoy your summer! Design by Pat Stanley. Fabrication by Dave Burnett. Visit www.GlassPatterns.com to order a back issue, or subscribe to their magazine to get their latest designs sent right to your door!

The Flint Institute of Arts (FIA) is currently hosting Tiffany Lamps: Articles of Utility, Objects of Art - a celebration of Louis Comfort Tiffany's artistic contributions. According to the FIA website, the exhibition offers more than 40 stunning objects in an array of colors, sizes and decorative styles featured in five sections exploring themes of fabrication, design inspiration and changing lighting technologies. The show also includes tools, materials and photographs demonstrating how objects were designed and made. Tiffany is known for his stained glass windows and lamps, but he also created glass mosaics, blown glass pieces, ceramics, jewelry and metalwork. The first Tiffany Glass Company was incorporated 1885, which later became known as Tiffany Studios. His company concentrated on stained glass windows and lamps, but designed a myriad of other interior decorations. Tiffany Lamps: Articles of Utility, Objects of Art Johnson and Rabiah Galleries 5.23.10 - 8.15.10 www.flintarts.org Community leaders founded the Flint Institute of Arts in 1928 as a place for art classes and exhibitions. The FIA is located in the Flint Cultural Center and is known as one of

This season will showcase a greater emphasis on blues and greens . This is a clear and clean pallet that embodies a sensation of open spaces. It suggests a new beginning, symbolizing growth and a feeling of hope. Here are the shades to watch for: Pale Blue: A clean and clear blue, suggesting sky, air and energy. It feels pure, breathable and induces a feeling of contentment. True Green: A symobl of growth; a fresh color that goes with anything, just look outside at the grass. A flexible color. Works well with existing "2000's" colors, and can be treated as classic or contemporary. A very balanced and restful shade. Turq Green: A soothing and calming color. A hint of spark and invigoration to the eye. A "wow" color that can make you feel like you're escaping to a beautiful tropical destination. Pale Blue Green: A light watercolor. Very airy; gives a feeling of openness and can be used to "expand" a space's size. Taupe: A classic color that has become a basic neutral. A green undertone makes blues and greens pop. When paired with white, this shade becomes part of the new 2010 classics. Pale Gray: This is a warm, mellow gray compared to the past harsh graph