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Bullseye Tekta Crystal Clear Double Rolled - 90 COE

Bullseye Tekta Crystal Clear Double Rolled - 90 COE 196475_1 thumbnail image 196475_2 thumbnail image 196475_3 thumbnail image 196475_4 thumbnail image 196475_5 thumbnail image
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Bullseye Tekta Crystal Clear Double Rolled - 90 COE
Bullseye Tekta Crystal Clear Double Rolled - 90 COE by Bullseye Glass Co.
Unit Size* Price Qty 
medium 12" x 12"
$23.75
sale $16.65 USD
large 16" x 24"
$62.75
sale $43.95

Item# B140138   In Stock
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Product Features

  • Ideal for base or cap glass
  • Superbly uniform, flat, clear and lead-free
  • Double-rolled surface is smoother and minimizes bubble entrapment
  • Each sheet has four trimmed edges, eliminating glass waste
  • Tested compatible - 90 COE
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Product Description

For Crystal Clarity, Count on Tekta
Bullseye's Tekta glass is the ultimate clear sheet glass for kilnforming. It's easy to work with, uniform, flat, affordable and lead-free. Each sheet has four trimmed edges. The double-rolled surface minimizes bubble entrapment, perfect for use as either a base or cap glass.

Tekta is manufactured on a production line at the Bullseye Glass Co. factory in Portland, Oregon, where the production is carefully monitored to insure that the glass is formed, tested and packaged to the highest possible standards.

Crystal Clear is formulated to be non-reactive to metal inclusions, making it ideal for layering over silver, copper and brass. Crystal Clear also provides exceptional clarity, with no tint to alter your color palette. 

Standard thickness 3mm. 90 COE.

Crab plate by artist Suzanne Brueher. Copper Celtic Cross by artist Teresa Shea. Circle display created with a Tekta base by artist Sheila Rosa. Pendant created by artist Ann Yates. All from Delphi's Online Artist Gallery.
 

Photo above is a general representation of glass colors. Colors may vary. Sizes are approximate.

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Featured Artist: Kerry Collett
How and when did you get started in glass art? I saw an article about Kristin Frantzen-Orr along with a step by step example of how to do one of her famous floral beads. I talked about it so much my husband bought me a beginning torch set for the following Christmas. Once I got the kiln and the duel fuel torch, I just kept experimenting and growing from there. Kristin is still my idol and I keep telling myself that one day I will do nice, clean floral beads like hers. Your jewelry, vases, plates etc. are all beautiful. I especially love the geologic nature of your Copper Reactive dish, its so unique. Can you tell us a little about how you achieved that look? The base glass is Bullseye Steel Blue Opal (000146) and it reacts all on its own. I used clear stringers and broke up chunks
The Importance of Packaging
We tell ourselves not to judge a book by its cover, but the simple truth is, we are attracted to whats attractive. On a recent hunt for a birthday present for my mother, I came across several beautiful handbags in several different boutiques. What ultimately influenced my final purchase decision was the complimentary gift-wrapping offered by one of the storeowners. The handbag itself wasnt any prettier or better quality than the others I was considering, but the packaging was beautiful. Brightly colored tissue, a big sturdy box, quality wrapping paper and an oversized hand-tied bow. No, it wasnt sealed with a kiss, rather a large gold embossed sticker with the boutique name and logo (theres nothing wrong with a little discreet self-promotion). Here are a few tips for better packaging-it might just buy you your next customer. 1. Show your customers what theyll get. The boutique I mentioned earlier had
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Delphi merchandiser Kayleigh McGrath recently shared some photos from her early days at Delphi. She was playing around with different colors and textures of glass and learning the hard way that there are limits to what you can do (and cant do) in fusing. The first image shows what happened when Kayleigh layered dichroic glass, coating to coating. The base is 90 COE dichroic rainbow pixi stix on black, (Delphi item 921714) and the top is an old texture we dont carry any more (cyan red radium on clear.) The second image is of a piece Kayleigh loved so much she impatiently removed it from the kiln when it was still too hot (havent we all done this. ) As you can see, it suffered thermal shock. This was made with the same 90 COE pixi stix on black for the base and capped with Delphi item U630090 90 COE
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