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Oceanside Strawberries And Cream Swirl - 96 COE

Oceanside Strawberries and Cream Swirl - 96 COE 226421_1 thumbnail image 226421_2 thumbnail image 226421_3 thumbnail image 226421_4 thumbnail image 226421_5 thumbnail image 226421_6 thumbnail image 226421_7 thumbnail image 226421_8 thumbnail image 226421_9 thumbnail image PDF Download Project Guide +
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Oceanside Strawberries and Cream Swirl - 96 COE
Oceanside Strawberries And Cream Swirl - 96 COE by Oceanside Compatible
Unit Size* Price Qty 
small 8" x 8" $13.95 USD
medium 12" x 12"
$28.95
sale $22.95
sheet 24" x 24"
$116.95
sale $89.95

Standard shipping requires 'sheet' size to be cut into 2 large pieces
Item# X3551   In Stock
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Product Features

  • Semi-opaque glass ideal for stained glass and fusing projects
  • Each piece is unique, capturing different colors and designs
  • Creates an array of new tones and colors when reacting
  • A beautiful blend of white opal and red transparent glass
  • Orange tone strikes more red when fired
  • Tested for fusing - 96 COE
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Product Description

Add dramatic swirls to your fused glass art!
Straberries and Cream OpalArt features rich hues of transparent red and white swirled together. Part of the beauty of this semi-opaque glass is the uniqueness of each piece - not only is the swirl pattern different, but the ways the molten colors react with one another to create intriguing new tones is stunning. Image shown is one example of some of the wide range of colors and patterns that may occur in your piece.

This dual-duty product is perfect for stained glass applications and is also fully heat compliant for use by the hot glass artist. 96 COE.

Fused dish courtesy of Spectrum Glass Wavy platter by artist Sonia Smith of Coastal Dichroic from Delphi's Online Artist Gallery, stained glass photo frame by artist Kayleigh Clark. Second to last project image courtesy of System 96. Last project image courtesy of Kim France, from Delphi's Online Artist Gallery. Follow the link below to download a Free Project Guide.

Download Free Project Guide
 

Photo above is a general representation of glass colors. Colors may vary. Sizes are approximate.

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Related Content
Featured Artist: Kerry Collett
How and when did you get started in glass art? I saw an article about Kristin Frantzen-Orr along with a step by step example of how to do one of her famous floral beads. I talked about it so much my husband bought me a beginning torch set for the following Christmas. Once I got the kiln and the duel fuel torch, I just kept experimenting and growing from there. Kristin is still my idol and I keep telling myself that one day I will do nice, clean floral beads like hers. Your jewelry, vases, plates etc. are all beautiful. I especially love the geologic nature of your Copper Reactive dish, its so unique. Can you tell us a little about how you achieved that look? The base glass is Bullseye Steel Blue Opal (000146) and it reacts all on its own. I used clear stringers and broke up chunks
The Importance of Packaging
We tell ourselves not to judge a book by its cover, but the simple truth is, we are attracted to whats attractive. On a recent hunt for a birthday present for my mother, I came across several beautiful handbags in several different boutiques. What ultimately influenced my final purchase decision was the complimentary gift-wrapping offered by one of the storeowners. The handbag itself wasnt any prettier or better quality than the others I was considering, but the packaging was beautiful. Brightly colored tissue, a big sturdy box, quality wrapping paper and an oversized hand-tied bow. No, it wasnt sealed with a kiss, rather a large gold embossed sticker with the boutique name and logo (theres nothing wrong with a little discreet self-promotion). Here are a few tips for better packaging-it might just buy you your next customer. 1. Show your customers what theyll get. The boutique I mentioned earlier had
Learning the Hard Way
Delphi merchandiser Kayleigh McGrath recently shared some photos from her early days at Delphi. She was playing around with different colors and textures of glass and learning the hard way that there are limits to what you can do (and cant do) in fusing. The first image shows what happened when Kayleigh layered dichroic glass, coating to coating. The base is 90 COE dichroic rainbow pixi stix on black, (Delphi item 921714) and the top is an old texture we dont carry any more (cyan red radium on clear.) The second image is of a piece Kayleigh loved so much she impatiently removed it from the kiln when it was still too hot (havent we all done this. ) As you can see, it suffered thermal shock. This was made with the same 90 COE pixi stix on black for the base and capped with Delphi item U630090 90 COE
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