In executing this tac-fuse, the attempt was to ONLY tac-fuse each piece, by carefully monitoring the glass and controlling the time in temperature, to catch the entire kiln-formed composition at exactly the right moment, before any piece of glass slumped (except the 'water wave' strip of glass, which was purposefully slumped to its form) .
This 18"x28" tac-fused panel of a moon-lit city reflected in water is tac-fused Bullseye glass: 1. 12" round thin white irid glass, fused behind clear double-rolled; 2. thin strips of transparent and transparent-irid glass, in blues, aquas, teals, lavender, plum, clear; tac-fused on edge, with a couple strips laid flat to give different levels to the sculptural bas-relief, adding interest to the city-scape composition; 3. (1) strip teal glass tac-fused on horizontal across the thin on-edge strips, causing undulating wave over the protruding bas-relief, to add to the illusion of edge of city & beginning of water; 4. multiple champaign bubbles captured in background to simulate silvery star-laden sky; 5. mounted in 2 1/2" deep silver-leaf frame. (Some glare reflects off large clear glass, which shows white-looking marks on both front & side views.)
jeannetanks
Friday, April 2, 20106 Posts
In executing this tac-fuse, the attempt was to ONLY tac-fuse each piece, by carefully monitoring the glass and controlling the time in temperature, to catch the entire kiln-formed composition at exactly the right moment, before any piece of glass slumped (except the 'water wave' strip of glass, which was purposefully slumped to its form) .
jeannetanks
Thursday, April 1, 20106 Posts
This complete composition is an original design by and completely executed by Jeanne Marie Tanks.
jeannetanks
Thursday, April 1, 20106 Posts
This 18"x28" tac-fused panel of a moon-lit city reflected in water is tac-fused Bullseye glass: 1. 12" round thin white irid glass, fused behind clear double-rolled; 2. thin strips of transparent and transparent-irid glass, in blues, aquas, teals, lavender, plum, clear; tac-fused on edge, with a couple strips laid flat to give different levels to the sculptural bas-relief, adding interest to the city-scape composition; 3. (1) strip teal glass tac-fused on horizontal across the thin on-edge strips, causing undulating wave over the protruding bas-relief, to add to the illusion of edge of city & beginning of water; 4. multiple champaign bubbles captured in background to simulate silvery star-laden sky; 5. mounted in 2 1/2" deep silver-leaf frame. (Some glare reflects off large clear glass, which shows white-looking marks on both front & side views.)
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