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Bullseye Tekta Clear Double Thick - 90 COE

Bullseye Tekta Clear Double Thick - 90 COE by Bullseye Glass Co.
Unit Size* Price Qty 
medium 12" x 12"
$29.75
sale $20.75 USD
large 16" x 24"
$78.95
sale $54.95

Item# B110068   In Stock

Product Features

  • Superbly uniform, flat, clear and lead free
  • Ideal for base or cap glass
  • Each sheet has four trimmed edges
  • Double thick, 6mm
  • 90 COE


Product Description

Bullseye's Tekta glass is the ultimate clear sheet glass for kilnforming. It's easy-to-work-with, uniform, flat and affordable. Each sheet has four trimmed edges, and is an ideal base or cap glass. Double thickness 6 mm. 90 COE.

Tekta is manufactured on a production line at the Bullseye Glass Co. factory in Portland, Oregon, where the production is carefully monitored to insure that the glass is formed, tested, and packaged to the highest possible standards.

For stained glass it offers a smooth surface on both sides. With double the thickness of regular stained glass, it's ideal for cabinet inserts and other projects that take a more durable product.

Crab plate by artist Suzanne Brueher. Copper Celtic Cross by artist Teresa Shea. Circle display created with a texta base by artist Sheila Rosa. Pendant created by artist Ann Yates. All from Delphi's Online Artist Gallery.

Photo above is a general representation of glass colors. Colors may vary. Sizes are approximate.

Customer Reviews

4.7 out of 5 stars
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5 out of 5 stars
  •   clear glass
By on
Pros : need i say more?
Cons :
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5 of 8 people found this review helpful
4 out of 5 stars
  •   clear glass
By on
Pros : It didn't break in shipping.
Cons : It was a little thicker then I needed. I could have used a 5mm or 4mm.
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4 of 8 people found this review helpful
5 out of 5 stars
  •   A must have for larger pieces!
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Pros : This glass is perfectly clear and very smooth. It is easy to work with and cuts cleanly. The thickness eliminates the need to layer, which reduces bubbles and saves time. It fuses beautifully and the smooth edges reduces waste.
Cons : Smaller pieces are harder to cut due to the thickness, but for the purpose of anything larger than a few inches, it is perfect.
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6 of 12 people found this review helpful

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Apr 28, 2010
How and when did you get started in glass art? I saw an article about Kristin Frantzen-Orr along with a step by step example of how to do one of her famous floral beads. I talked about it so much my husband bought me a beginning torch set for the following Christmas. Once I got the kiln and the duel fuel torch, I just kept experimenting and growing from there. Kristin is still my idol and I keep telling myself that one day I will do nice, clean floral beads like hers. Your jewelry, vases, plates etc. are all beautiful. I especially love the geologic nature of your Copper Reactive dish, its so unique. Can you tell us a little about how you achieved that look? The base glass is Bullseye Steel Blue Opal (000146) and it reacts all on its own. I used clear stringers and broke up chunks
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Delphi merchandiser Kayleigh McGrath recently shared some photos from her early days at Delphi. She was playing around with different colors and textures of glass and learning the hard way that there are limits to what you can do (and cant do) in fusing. The first image shows what happened when Kayleigh layered dichroic glass, coating to coating. The base is 90 COE dichroic rainbow pixi stix on black, (Delphi item 921714) and the top is an old texture we dont carry any more (cyan red radium on clear.) The second image is of a piece Kayleigh loved so much she impatiently removed it from the kiln when it was still too hot (havent we all done this. ) As you can see, it suffered thermal shock. This was made with the same 90 COE pixi stix on black for the base and capped with Delphi item U630090 90 COE