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Small Leaf Assortment Casting And Slumping Mold

Small Leaf Assortment Casting and Slumping Mold 196851_1 thumbnail image 196851_2 thumbnail image 196851_3 thumbnail image 196851_4 thumbnail image 196851_5 thumbnail image 196851_6 thumbnail image 196851_7 thumbnail image 196851_8 thumbnail image User Manual User Manual +
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Small Leaf Assortment Casting and Slumping Mold
Small Leaf Assortment Casting And Slumping Mold by Colour de Verre
$49.95 USD
Only 3 left in stock - order soon.
Item# 77862   In Stock
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Product Features

  • Two-in-one design features a casting mold on one side and contoured slumping mold on the reverse
  • Create five different leaves at once!
  • Leaves hold 2, 3, 4, 5, and 7 grams of frit
  • Ceramic molds can be used many times
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Product Description

Colour de Verre molds are the simple way to cast glass. Merge the age-old art of pate de verre glass casting with modern technology and contemporary design! Create pieces that are beautiful enough to stand alone or to incorporate into larger projects. The open, hollow design promotes even heating and cooling. Molds can be filled with glass frit, powder, or sheet glass.

With five different leaves on one side, and a slumper on the other, you can create wonderfully realistic floral projects. Mold measures 4" x 7-3/4" x 1-1/4". Leaves hold 2, 3, 4, 5, and 7 grams of frit and measure approximately 2-3/8" x 1-3/8". Delphi recommends a firing temperature of 1325°F for 96 COE and 1350°F for 90 COE. For spectacular results, use Leaves with Branches Mold #77863 and Blossoms Mold #77819 (project image shown in additional images). See size perspective of mold with quarter and dime images shown.

Ikebana is the Japanese art of flower arrangement. Create your own simple and elegant Ikebana Vase -- learn how with the free project guide courtesy of  Colour de Verre.

Free Project Guide 

Images courtesy of Color De Verre.

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4 out of 5 stars
  •   Small leaf assortment casting & slumping mold
By on
Pros : I found these molds easy to use, and don't bother with the special mold release.
Cons : They are hard to clean
Other Thoughts : You can also just cut out leaf shapes from glass and mold the veining into the glass, which I actually prefer to casting the frit. You can get a thinner leaf, more options (like irid or dicro) and more consistent results.
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7 of 11 people found this review helpful
4 out of 5 stars
  •   Another Versatile Mold
By on
Pros : Yields good leaf components to use with the other Colour de Verre flower molds. To really use these molds, you need to buy Jayne Persico's book on Glass Kiln Casting. I really only got into these molds after I took a class with Jayne, and she showed us some examples of what you can do with the molds.
Cons : You have to follow the directions carefully. Each mold has specific directions for fill weights that require a digital kitchen scale, and a specific type of primer for the mold (Hot Line Primo primer). To use the mold, you also need to have these other supplies/tools on hand and follow the firing instructions given.
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8 of 12 people found this review helpful

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Featured Artist: Kerry Collett
How and when did you get started in glass art? I saw an article about Kristin Frantzen-Orr along with a step by step example of how to do one of her famous floral beads. I talked about it so much my husband bought me a beginning torch set for the following Christmas. Once I got the kiln and the duel fuel torch, I just kept experimenting and growing from there. Kristin is still my idol and I keep telling myself that one day I will do nice, clean floral beads like hers. Your jewelry, vases, plates etc. are all beautiful. I especially love the geologic nature of your Copper Reactive dish, its so unique. Can you tell us a little about how you achieved that look? The base glass is Bullseye Steel Blue Opal (000146) and it reacts all on its own. I used clear stringers and broke up chunks
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Delphi merchandiser Kayleigh McGrath recently shared some photos from her early days at Delphi. She was playing around with different colors and textures of glass and learning the hard way that there are limits to what you can do (and cant do) in fusing. The first image shows what happened when Kayleigh layered dichroic glass, coating to coating. The base is 90 COE dichroic rainbow pixi stix on black, (Delphi item 921714) and the top is an old texture we dont carry any more (cyan red radium on clear.) The second image is of a piece Kayleigh loved so much she impatiently removed it from the kiln when it was still too hot (havent we all done this. ) As you can see, it suffered thermal shock. This was made with the same 90 COE pixi stix on black for the base and capped with Delphi item U630090 90 COE
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