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Love Jewelry Mold

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Love Jewelry Mold
Love Jewelry Mold by Creative Paradise
$25.95 USD
Only 9 left in stock - order soon.
Item# 80782   In Stock
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Product Features

  • Create unique glass jewelry quickly from fusible scrap or frit
  • Small size - perfect for table top kilns
  • Made from high quality ceramic for many firings
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Product Description

Create Cast Glass Pendants
Fill pendant molds with glass frit, scrap and powders to create one-of-a-kind cast glass jewelry. Try combining powders to create a marbled look or accent with dichroic. The possibilities are endless!

Coat molds with ZYP or casting mold primer before use. Mold measures 4" wide x 3" long. Finished piece measures 1-1/2" wide x 2-1/2" long. Durable ceramic molds can be used many times.

Mold uses 26 grams of frit or scrap glass. 

Delphi Tip: Use transparent glass to ensure that inset writing can be seen post firing. For a more dynamic look, fill letters with colored powdered frit to create more contrast, as seen in additional images.

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Product Details

  • 2.5" x 1.5"

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Customer Reviews

4.5 out of 5 stars
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5 out of 5 stars
  •   Love Mold
By on
Pros : I have a small kiln and it will work great
Cons :
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8 of 14 people found this review helpful
4 out of 5 stars
  •   Simply Beautiful
By on
Pros : Fused beautifully
Cons : Wish the wording was a little deeper into the mold. Recommend using powder frit.
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9 of 14 people found this review helpful

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Related Content
Featured Artist: Kerry Collett
How and when did you get started in glass art? I saw an article about Kristin Frantzen-Orr along with a step by step example of how to do one of her famous floral beads. I talked about it so much my husband bought me a beginning torch set for the following Christmas. Once I got the kiln and the duel fuel torch, I just kept experimenting and growing from there. Kristin is still my idol and I keep telling myself that one day I will do nice, clean floral beads like hers. Your jewelry, vases, plates etc. are all beautiful. I especially love the geologic nature of your Copper Reactive dish, its so unique. Can you tell us a little about how you achieved that look? The base glass is Bullseye Steel Blue Opal (000146) and it reacts all on its own. I used clear stringers and broke up chunks
The Importance of Packaging
We tell ourselves not to judge a book by its cover, but the simple truth is, we are attracted to whats attractive. On a recent hunt for a birthday present for my mother, I came across several beautiful handbags in several different boutiques. What ultimately influenced my final purchase decision was the complimentary gift-wrapping offered by one of the storeowners. The handbag itself wasnt any prettier or better quality than the others I was considering, but the packaging was beautiful. Brightly colored tissue, a big sturdy box, quality wrapping paper and an oversized hand-tied bow. No, it wasnt sealed with a kiss, rather a large gold embossed sticker with the boutique name and logo (theres nothing wrong with a little discreet self-promotion). Here are a few tips for better packaging-it might just buy you your next customer. 1. Show your customers what theyll get. The boutique I mentioned earlier had
Learning the Hard Way
Delphi merchandiser Kayleigh McGrath recently shared some photos from her early days at Delphi. She was playing around with different colors and textures of glass and learning the hard way that there are limits to what you can do (and cant do) in fusing. The first image shows what happened when Kayleigh layered dichroic glass, coating to coating. The base is 90 COE dichroic rainbow pixi stix on black, (Delphi item 921714) and the top is an old texture we dont carry any more (cyan red radium on clear.) The second image is of a piece Kayleigh loved so much she impatiently removed it from the kiln when it was still too hot (havent we all done this. ) As you can see, it suffered thermal shock. This was made with the same 90 COE pixi stix on black for the base and capped with Delphi item U630090 90 COE
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