Bullseye Thinfire Shelf Paper - 20-1/2" x 20-1/2" Sheet

Price $5.95
Your Savings: - $1.00
Your Price: $4.95 USD   (17% Off)
Item# 7405   In Stock

Product Features

  • Save time and avoid brush stroke marks by using Thinfire instead of kiln wash
  • Logo on reverse side makes it easy to tell front from back
  • Quality Bullseye Studio product made for fusers
  • Sold Individually


Product Description

Ensure clean, professional results in every kiln firing with high-quality shelf paper. This essential kiln accessory creates a protective barrier between your glass and kiln shelf, preventing sticking, rough edges, and unwanted marks, so your creations come out flawless every time! Use thin shelf paper instead of shelf wash for an ultra smooth finish on the back of your fused piece. One time use. Measures 20-1/2" x 20-1/2".

Popular Bullseye ThinFire Shelf Paper doesn't shrink in the kiln and features a printed pattern of the Bullseye logo on the bottom side, as shown in additional images. The logo pattern does not affect glass or kiln shelves. Nor does it change the way ThinFire works in any way. But it does provide two benefits:
One, the pattern makes it easy to recall how ThinFire should be positioned in the kiln. Just remember, logo side down against the shelf; plain side up, against the glass—to create the smoothest, cleanest-possible finish for your work.
Two, the pattern serves as an assurance that Bullseye ThinFire is tested, tried and true.

Fused glass sunflower by artist Linda Smith of Warwick Glass from Delphi's Online Artist Gallery. In use image shown from "Warm Glass" book #6540. Koi platter Image courtesy of Creative Paradise. Multi-Square project by artist Stephanie Murphy. From Delphi's Online Artist Gallery. Artist Julie Nelson-Neil created wave bowl using multiple layers of thickness of fiber paper. 

Customer Reviews

4.9 out of 5 stars
5 star  
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5 out of 5 stars
  •   it's shelf paper
By on
Pros : it is fine
Cons :
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1 of 1 people found this review helpful
5 out of 5 stars
  •   awesome!
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Pros : very sturdy, gives a great clean finish as opposed to others that I have used. love it and will continue to use this product. Nothing else compares!!!
Cons : None!!
Other Thoughts : LOVE IT!!!
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1 of 1 people found this review helpful
5 out of 5 stars
  •   Love this stuff
By on
Pros : I love the way this fires. The backs of the pieces are nice and smooth. And..I wouldn't suggest this technique for large pieces, but sometimes I can get two/more firings out of this.
Cons : I have to cut it down for my kiln. But I save the pieces....makes for interesting patterns for unusual glass.
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2 of 2 people found this review helpful

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Nov 02, 2011
As a fused glass jewelry artisan I have probably spent as much time on the look and feel of the backs of my pieces as the fronts. I have found that the feel of the glass on the skin is as much a selling point as the colors or design. Its the same conundrum fiber artists have been dealing with for ages wool is an amazing fiber - easy to knit with and warm - but the majority of folks just cant stand that itchy feeling on bare skin. The same principle applies to glass. What you use on your kiln shelf can determine exactly how your pieces will feel on the skin - and in turn, can make for a happier customer. After experimenting with various methods including kiln wash (produces a very rough feel) and thicker fiber papers/boards (again, too rough) I have settled down into a
Nov 02, 2011
As a fused glass jewelry artisan I have probably spent as much time on the look and feel of the backs of my pieces as the fronts. I have found that the feel of the glass on the skin is as much a selling point as the colors or design. Its the same conundrum fiber artists have been dealing with for ages wool is an amazing fiber - easy to knit with and warm - but the majority of folks just cant stand that itchy feeling on bare skin. The same principle applies to glass. What you use on your kiln shelf can determine exactly how your pieces will feel on the skin - and in turn, can make for a happier customer. After experimenting with various methods including kiln wash (produces a very rough feel) and thicker fiber papers/boards (again, too rough) I have settled down into a