Bullseye Thinfire Shelf Paper 20-1/2" Sheet - 25 Pack

$99.95 USD
Item# 740525
In Stock Usually ships in 1 to 2 business days.

Product Features

  • Save time and avoid brush stroke marks by using Thinfire instead of kiln wash
  • Logo on reverse side makes it easy to tell front from back
  • Quality Bullseye Studio product made for fusers
  • Contains 25 20-1/2" x 20-1/2" square sheets


Product Description

Save time and avoid brush stroke marks. Use thin shelf paper instead of shelf wash for an ultra smooth finish on the back of your fused piece. One time use. Measures 20-1/2" x 20-1/2". 25 pieces per pack.

Popular Bullseye ThinFire Shelf Paper doesn't shrink in the kiln and features a printed pattern of the Bullseye logo on the bottom side, as shown below. The logo pattern does not affect glass or kiln shelves. Nor does it change the way ThinFire works in any way. But it does provide two benefits:
One, the pattern makes it easy to recall how ThinFire should be positioned in the kiln. Just remember, logo side down against the shelf; plain side up, against the glass—to create the smoothest, cleanest-possible finish for your work.
Two, the pattern serves as an assurance that Bullseye ThinFire is tested, tried and true.

In use image above from "Warm Glass" book #6540.

Bullseye Thinfire Shelf Paper to the Skin's Rescue
By Maggi Blue

As a fused glass jewelry artisan I have probably spent as much time on the look and feel of the backs of my pieces as the fronts. I have found that the feel of the glass on the skin is as much a selling point as the colors or design. Its the same conundrum fiber artists have been dealing with for ages: wool is an amazing fiber - easy to knit with and warm - but the majority of folks just cant stand that itchy feeling on bare skin. The same principle applies to glass. What you use on your kiln shelf can determine exactly how your pieces will feel on the skin - and in turn, can make for a happier customer.

After experimenting with various methods including kiln wash (produces a very rough feel) and thicker fiber papers/boards (again, too rough) I have settled down into a very happy marriage with a thin kiln shelf paper.

It wasnt such bliss in the beginning, though. Like most artisans, we tend to be cheap (not because we dont want quality, but because we want to stretch every last penny in order to buy more glass). There is nothing more unsatisfying than spending money on the accouterments instead of that glorious piece of glass youve been eyeballing for months. I would buy the thinnest, cheapest kiln shelf paper I could find, and though the feel after firing was semi-smooth, it still had too much texture. This was still not the result I needed for my pieces (which lie directly on the skin) and I realized that not all kiln shelf paper is created equal.

I finally ponied up the money and bought a roll of Bullseye Thinfire Shelf Paper.

Generally speaking, I am not a brand name kinda girl. If a product works consistently well, I will keep coming back regardless of the name on the package. But I have to admit, in this case, spending the extra money on top-of-the-line kiln paper saves time, hassle and bucket loads of scraps from the kiln. Not only can I cut it exactly to the size of my shelf, maximizing the number of pieces I can fire at one time, but if I am careful I can actually get two (sometimes three) firings out of the same piece. The Thinfire paper leaves an extremely smooth surface on the back of my pendants, which are comfortable against the skin.

Now, all of the above doesnt mean you need to go scrapping all the kiln wash or other shelf papers in your studio; I just suggest not using them with pieces of glass that will sit directly on the skin. Instead, I use those washes and papers for full kiln loads of suncatchers and other projects meant to use up all my scrap glass. Stay tuned for more on using up your scrap glass - there is no need to waste ANY of it (said like a true cheap glass artisan).

Maggi Blue is a glass artisan, designer and writer. You can read more about her and her art on her website.

The views, opinions, positions or strategies expressed by the author and those providing comments are theirs alone, and do not necessarily reflect the views, opinions, positions or strategies of Delphi Glass. Delphi Glass makes no representations as to accuracy, completeness, currentness, suitability, or validity of any information in this article and will not be liable for any errors, omissions, or delays in this information or any losses, injuries, or damages arising from its display or use. Delphi Glass reserves the right to delete, edit, or alter in any manner it sees fit blog entries or comments that it, in its sole discretion, deems to be unacceptable.

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4 out of 5 stars
  •   Great product
By on
Pros : So easy to use and works great.
Cons :
Other Thoughts : Wish it came in precut other sizes, like 16" round & square
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2 of 3 people found this review helpful
5 out of 5 stars
  •   Smooth easy finish
By on
Pros : Makes fusing so much easier with such a fine smooth finish.
Cons : Make sure your kiln is in a well ventilated area…it’s has quite the noxious odor burning off.
Other Thoughts : Always my preferred way to fire fir an easy smooth product.
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3 of 5 people found this review helpful
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Nov 02, 2011
As a fused glass jewelry artisan I have probably spent as much time on the look and feel of the backs of my pieces as the fronts. I have found that the feel of the glass on the skin is as much a selling point as the colors or design. Its the same conundrum fiber artists have been dealing with for ages wool is an amazing fiber - easy to knit with and warm - but the majority of folks just cant stand that itchy feeling on bare skin. The same principle applies to glass. What you use on your kiln shelf can determine exactly how your pieces will feel on the skin - and in turn, can make for a happier customer. After experimenting with various methods including kiln wash (produces a very rough feel) and thicker fiber papers/boards (again, too rough) I have settled down into a
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