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Bullseye Thinfire Shelf Paper Roll - 41" x 250 Feet

Bullseye Thinfire Shelf Paper Roll - 41 x 250 feet 186712_1 thumbnail image 186712_2 thumbnail image 186712_3 thumbnail image PDF Download Bullseye Thinfire Shelf Paper
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Bullseye Thinfire Shelf Paper Roll - 41 x 250 feet
$819.95 USD
Item# 7406   Availability: Expected to be available May 02, 2025. Subject to change. Pre-order now!
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Product Features

  • Save time and avoid brush stroke marks by using Thinfire instead of kiln wash
  • 250' Roll, enough for even the busiest glass studios
  • Quality Bullseye Studios product made for fusers
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Product Description

Over 750 Square Feet of Kiln Paper
Bullseye manufactures this thin and economical shelf paper. Save time and avoid brush stroke marks. Use instead of shelf wash for an ultra smooth finish on the back of your fused piece. One time use. Measures 250 feet x 41" wide, enough to keep even the busiest glass studios well stocked for a while.

Sunflower project by artist Linda Smith of Warwick Glass from Delphi's Online Artist Gallery. Koi platter image courtesy pf Creative Paradise.

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Related Content
Bullseye Thinfire Shelf Paper to the Skin's Rescue
Nov 02, 2011
As a fused glass jewelry artisan I have probably spent as much time on the look and feel of the backs of my pieces as the fronts. I have found that the feel of the glass on the skin is as much a selling point as the colors or design. Its the same conundrum fiber artists have been dealing with for ages wool is an amazing fiber - easy to knit with and warm - but the majority of folks just cant stand that itchy feeling on bare skin. The same principle applies to glass. What you use on your kiln shelf can determine exactly how your pieces will feel on the skin - and in turn, can make for a happier customer. After experimenting with various methods including kiln wash (produces a very rough feel) and thicker fiber papers/boards (again, too rough) I have settled down into a
Bullseye Thinfire Shelf Paper to the Skin's Rescue
Nov 02, 2011
As a fused glass jewelry artisan I have probably spent as much time on the look and feel of the backs of my pieces as the fronts. I have found that the feel of the glass on the skin is as much a selling point as the colors or design. Its the same conundrum fiber artists have been dealing with for ages wool is an amazing fiber - easy to knit with and warm - but the majority of folks just cant stand that itchy feeling on bare skin. The same principle applies to glass. What you use on your kiln shelf can determine exactly how your pieces will feel on the skin - and in turn, can make for a happier customer. After experimenting with various methods including kiln wash (produces a very rough feel) and thicker fiber papers/boards (again, too rough) I have settled down into a
See more related content

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