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1/16" Fiber Paper - 24" x 24"

1/16 Fiber Paper - 24 x 24 148027_1 thumbnail image 148027_2 thumbnail image 148027_3 thumbnail image 148027_4 thumbnail image 148027_5 thumbnail image
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1/16 Fiber Paper - 24 x 24
1/16" Fiber Paper - 24" x 24"
$9.95 USD
Buy 3 or more for $8.45 each
Item# 92809   In Stock
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Product Features

  • Use as a fusing surface
  • Eliminates the need for kiln wash
  • Measures 24" x 24" x 1/16" thick
  • Flexible
  • Use to layer shapes for relief designs
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Product Description

Use 1/16" shelf paper as a fusing surface, it eliminates the need for shelf wash. Line your kiln shelf for multiple firings and to emboss a gentle texture or cut and layer shapes for relief designs. Measures 24" x 24" x 1/16" thick.

In use image from "Warm Glass" #6540. Ornaments created by artist George Ayars. School of fish plate by artist Val Oswalt-De Waard. Artist Julie Nelson-Neil created wave bowl using multiple layers of thickness of fiber paper. 

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Customer Reviews

4.6 out of 5 stars
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   3
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5 out of 5 stars
  •   Great Product
By on
Pros : Wonderful product, exactly what I needed.
Cons :
Other Thoughts : Shipped quickly for my projects.
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5 out of 5 stars
  •   great for cutting shapes!
By on
Pros : I use this fiber paper to die cut with my paper crafting dies. Then I place the die cut under my glass and it embosses/kiln carves my glass perfectly and uniquely!
Cons :
Other Thoughts : If you use this with paper crafting dies--- a good idea is to put wax paper between the fiber paper and the die to make the die cut pop out of the die easier. otherwise it can rip, which is a disappointing and expensive waste of kiln paper. :)
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6 of 8 people found this review helpful
4 out of 5 stars
  •   Great size
By on
Pros : No need to prep kiln shelf with wash over and over. Convenient. Cut to fit perfectly in a 24" kiln. LOVE THAT!
Cons : Rougher texture than I am used to with Fiber Paper. VERY thin, would not work for too many firings
Other Thoughts : I'm used to a thicker fiber paper which I feel has better air flow. It also can be used for many firings without so much waste.
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1 of 2 people found this review helpful

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Related Content
Featured Artist: Kerry Collett
Apr 28, 2010
How and when did you get started in glass art? I saw an article about Kristin Frantzen-Orr along with a step by step example of how to do one of her famous floral beads. I talked about it so much my husband bought me a beginning torch set for the following Christmas. Once I got the kiln and the duel fuel torch, I just kept experimenting and growing from there. Kristin is still my idol and I keep telling myself that one day I will do nice, clean floral beads like hers. Your jewelry, vases, plates etc. are all beautiful. I especially love the geologic nature of your Copper Reactive dish, its so unique. Can you tell us a little about how you achieved that look? The base glass is Bullseye Steel Blue Opal (000146) and it reacts all on its own. I used clear stringers and broke up chunks
The Importance of Packaging
Apr 29, 2010
We tell ourselves not to judge a book by its cover, but the simple truth is, we are attracted to whats attractive. On a recent hunt for a birthday present for my mother, I came across several beautiful handbags in several different boutiques. What ultimately influenced my final purchase decision was the complimentary gift-wrapping offered by one of the storeowners. The handbag itself wasnt any prettier or better quality than the others I was considering, but the packaging was beautiful. Brightly colored tissue, a big sturdy box, quality wrapping paper and an oversized hand-tied bow. No, it wasnt sealed with a kiss, rather a large gold embossed sticker with the boutique name and logo (theres nothing wrong with a little discreet self-promotion). Here are a few tips for better packaging-it might just buy you your next customer. 1. Show your customers what theyll get. The boutique I mentioned earlier had
Learning the Hard Way
Apr 29, 2010
Delphi merchandiser Kayleigh McGrath recently shared some photos from her early days at Delphi. She was playing around with different colors and textures of glass and learning the hard way that there are limits to what you can do (and cant do) in fusing. The first image shows what happened when Kayleigh layered dichroic glass, coating to coating. The base is 90 COE dichroic rainbow pixi stix on black, (Delphi item 921714) and the top is an old texture we dont carry any more (cyan red radium on clear.) The second image is of a piece Kayleigh loved so much she impatiently removed it from the kiln when it was still too hot (havent we all done this. ) As you can see, it suffered thermal shock. This was made with the same 90 COE pixi stix on black for the base and capped with Delphi item U630090 90 COE
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